Whitney Wolfe Herd Quotes
Quotes to Explore
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The second I met Zac, I thought he was a really cool guy. It's hard not to have chemistry with someone who is so attractive.
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I've got my ideal job. I like to sing, I like to dance, I like to bang drums and dress up, and someone pays me - it's incredible.
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In order to raise money from somebody, you have to understand who is this person, not to deceive them but to understand them. What would be their motives for contributing money? Why do these people contribute money to some places, but not to others? That's attunement - treating everybody well, but not treating everybody the same.
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As a younger actor, I had delusions. I would dream of Scorsese and De Niro; I would meet people, and it would be like this, and it would change moviemaking in France, and Paris would become the center of the world.
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I love elephants! It's my favorite animal.
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In writing a little tragedy, 'The Gaol Gate,' I made the scenario in three lines, 'He is an informer; he is dead; he is hanged.' I wrote that play very quickly.
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I like writing idealistically, romantically and swashbucklingly.
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I'll tell you what's helped me my entire life. I look at baseball as a game. It's something where people can go out, enjoy and have fun. Nothing more.
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The greatest risk is really to take no risk at all. You've got to go out there, jump off the cliff, and take chances.
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I have been afraid of guns, I have sworn I would never use a gun on another person and so did not need one, and I have wanted to deny the existence of evil.
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I went from a player who was never fit to a person who actually worked hard to get myself in shape.
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When you're 16, the top of the world is directing a gangster movie.
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As a result of 50 years of emancipation, feminine qualities were dying out or being transferred to the males. Pansies of both sexes were everywhere, not yet completely homosexual, but confused not knowing what they were. The result was a herd of unhappy sexual misfits... the women wanting to dominate and the men to be nannied.
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I don't think that when I'm acting I feel like I lose myself to it, but that sense of losing, that sense of discomfort, well, I guess maybe that comes a bit! It's about redefining what 'uncomfortable' means for you.
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I loved being in Bombay. It was a pretty thrilling place to walk around and explore.
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Career-driven millennials are strategic about working obsessively while they are single and earning enough money to afford advanced education. Most are patient enough to wait until 30 or later to develop their dream.
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I had a lot of fun with my costume designer.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
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I have a little basement studio set up here at my house, and I do probably 80 percent of the recording here on my own. With multi-tracking technology, I can play various parts on top of one another.
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I want to re-mythologize 'The Green Hornet' in a contemporary context, with an emphasis on story and character, while at the same time incorporating themes that speak to my heart.
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It's hard for the donkeys to win the race if they're going to carry the elephants on their backs.
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We Queerfolk are big-picture types. You have to be, to see how the Queerness of the World works itself through everything.
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Let the subject generate its own photographs. Become a camera.
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I'm kind of in my own world.
