Z'EV Quotes
It's really hard to find materials. Also, prices of metal have gone completely through the roof, insanely expensive. And if you go to a dictionary and look up starving artist, you'll see my picture.
Quotes to Explore
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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I grew up with Apocalypse Now and Badlands, so I had a real awe thing going.
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Children are educated by what the grown-up is and not by his talk.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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When you're warm and approachable, you don't have to go up and talk non-stop to someone in a social situation. You just have to be open to the conversations you're already having - and warm and receptive to the people you're meeting.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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I have laughter dates with myself, where I find comics on YouTube and watch them. Louis C.K. was my first laughter date a couple years ago. I'll also watch those videos of people doing idiotic things. That cracks me up.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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I was brought up to think a lot about food and have respect for it, both as medicine and something to eat and enjoy.
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I moved from a mountain with one traffic light to New York City when I was 17, and it was an amazing, eye opening, creative adventure. I would walk through the streets of Manhattan looking up at these huge buildings, amazed that I didn't know a single person in any of them.
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I get criticized for taking roles in films like 'Ghost Rider 2', but if you look at my resume, dude, I've mixed it up as much as I can.
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I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
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Cyberpunk was really a reaction against old boy sci-fi which was about white guys in space who would come up with some kind of technological thing.
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Up until recently, I've always been a vintage store guy. I get a lot of my clothes second hand. I really enjoy being able to look through different styles you can find and how eclectic the vintage store vibe is.
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I have met hundreds of young people doing just what George Romney did: using a hand up in tough times to become part of the American Dream.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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Growing up in eastern Turkey, I was not really involved with the family business - sheep and cow farming, yogurt and cheese making. But I think I learned from my father the unspoken business language or instincts that go back thousands of years.
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I think some days you should do a cartoon that is absolutely just for the laugh, and some days you should do a cartoon that just punches the reader right in the stomach. It's kind of nice to mix it up.
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I was brought up by two people who just said, Whatever it is you're interested in, go do it. There is no winning or losing. You find out when you do it what the experience is.
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I love that first-time feeling that I can't build in myself anymore, where I can learn and emulate other filmmakers. Be it Ayan Mukherjee, Punit Mahotra, Karan Malhotra, Tarun Mansukhani or Shakun Batra, all of them have taught me something or the other.
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As cyberweapons and cyberattacks increase in scale and intensity, it will be difficult to defend against them all.
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In terms of 'Ray Donovan,' the story is so rich, the actors are so fantastic, the writing is impeccable. And it's such beautiful storytelling with complex characters.
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Most of the people I write about have been ambitious outlanders who have been attracted to New York from other parts of the world.
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It's really hard to find materials. Also, prices of metal have gone completely through the roof, insanely expensive. And if you go to a dictionary and look up starving artist, you'll see my picture.
