Stuart Wilde Quotes
Quotes to Explore
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Modern theory is about objects lower than man; even stars, being common things, are lower than man.
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I just knew how to do the one thing I did, and whether I did it well or not depended on who the director was.
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In our fast-forward culture, we have lost the art of eating well. Food is often little more than fuel to pour down the hatch while doing other stuff - surfing the Web, driving, walking along the street. Dining al desko is now the norm in many workplaces. All of this speed takes a toll. Obesity, eating disorders and poor nutrition are rife.
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I could probably name thousands of albums that I want.
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I believe that acting in any medium is the same thing, it's discovering the truth in where you are.
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I like to stay home with my family.
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Writing and directing, to me, was the logical evolution from my life as an actor: going from telling someone else's story to actually creating my own. Perhaps one day I will do all three: write, direct, and act in the same production. That might get a little hectic, though.
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Being on set with my dad - that's so cool. People always ask me if that made me nervous, but it's the same element when you're a kid - when your parents come in the auditorium for those school performances. It calms you.
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I'm a person who's always been interested in politics and thought it was a very noble occupation.
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Louis knew a few xenophobes, and regarded them as dolts.
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My suggestion is that there's no way out of the human condition. Sex, death, marriage, children, parents, illness. There's no way out. They're a misery, all of them.
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As a reporter, I embedded for modest stints with American soldiers in Afghanistan and Iraq. When I'm asked about those experiences, I always say - and mean - that we civilians don't deserve the soldiers we have.
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There are strange flowers of reason to match each error of the senses.
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I believe we've spent many years trying to bring about talks which have all the Parties in Northern Ireland involved so that there'd be inclusive talks.
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The kind of acting I used to enjoy no longer exists because your prime consideration is the budget, running time, the cost - and whether they'll understand it in Milwaukee.
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Whatever we want to think about American business - work hard, tell the truth, have morality - it's a myth. There's a lot of graft.
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It is definitely a challenge to play Nathan, but the more different he is from myself, the more interesting the character becomes for me.
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In TV, you may think your character's one thing for two episodes, and then the third episode it could be something different.
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You get to crack the code of the play. You get to really pick at it and see, 'What is the story that we're telling?' 'What are the clues in the text that I can find that will help inform what story we're telling?' It's almost like a detective mystery.
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Let us look for secret things somewhere in the world on the blue shore of silence or where the storm has passed rampaging like a train. There the faint signs are left, coins of time and water, debris ,celestial ash and the irreplaceable rapture of sharing in the labour of soitude in the sand.
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I want to show people all of me, because that's what I haven't been doing. To be able to play so many instruments, and no one's ever seen me play, it seems like someone who's bluffing.
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The ego needs recognition. The spirit does not need to thank itself.
