Michel de Montaigne Quotes
If I speak of myself in different ways, that is because I look at myself in different ways.
Quotes to Explore
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I won't allow myself to have tremendous fear.
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One thing that helps to stretch me is to listen to other preacher's sermons. Every year, I will listen to at least ten other preachers, both to hear God speak to me, and also to evaluate their preaching to see what I can learn and how I can improve my own preaching.
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When you have that connection to say, 'I'm going to play for something bigger than myself,' man, you have a chance to do something good.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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I tell myself every offseason I'm not going to say anything crazy. I'm just going to have a peaceful season... Can't do it. I'm cut from a different cloth.
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I've got nothing very original to say myself.
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I'm always trying to do the impossible to please people. It comes from not being secure in myself and not looking at the things within I have to fix. Sometimes you keep going because you don't want to face the truth.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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Every story I create, creates me. I write to create myself.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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I was a Labour Party man but I found myself to the left of the Labour party in Nelson, militant as that was. I came to London and in a few months I was a Trotskyist.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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I don't really have an aversion to watching myself. I think I've been doing it for long enough that I have a system of separating it in my brain from my egotistical neuroses for the most part.
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I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.
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I've made a kind of pact with myself where I said, It doesn't matter what it is as long as I'm acting.
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Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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I feel like every five to seven years I really need to put myself in this position of discomfort and exploration, just to survive. Otherwise I feel like I'm falling asleep, like I'll go crazy if I don't do it.
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I can only say that I myself wrote always as I wished, without a tremendous desire to find the latest thing possible.
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The First Amendment provides the only kind of security system that can preserve a free government - one that leaves the way wide open for people to favor, discuss, advocate, or incite causes and doctrines however obnoxious and antagonistic such views may be to the rest of us.
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Being a dad is like - there's nothing more important. So the exploration of that in stories, with parents and fathers and brothers, siblings, I just think that you're always in the terrain of love, whether it's absence of love or the giving of love or the desire for love.
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What is extraordinary about the character of Edna - and I speak as though I am completely outside this character and I am talking to you - I'm, as it were, in the wings, and she's on stage, and every now and then she says something extremely funny, and I stand there and think: 'I wish I'd thought of that.'
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If I speak of myself in different ways, that is because I look at myself in different ways.
