Michelangelo Antonioni Quotes
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
Quotes to Explore
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I am a Buddhist.
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In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things.
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The Violence Against Women Act is so important. It provides money to train the cop on the beat, to train the judges that this is a new day, that we won't tolerate this violence and to know how to deal with it.
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It is important to expect nothing, to take every experience, including the negative ones, as merely steps on the path, and to proceed.
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I was on 'SVU' for 11 years. I developed a muscle in my brain that could memorize things much more easily than people who don't do it every day. I got used to the language, and some of it got to be repetitive language, so you build your vocabulary.
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The most intense conflicts, if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.
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No one inspired me to write, but writer Harlan Ellison terrified me into getting published.
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Retiring is the easy way out.
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Whatever the right hand findeth to do, the left hand carries a watch on its wrist to show how long it takes to do it.
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I think there's nothing more amazing than helping people every day.
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I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
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If I did everything, I probably wouldn't be here talking to you. There aren't too many people who can actually double me, so I do most of my stunts though.
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I see so many activists... who are artists because they feel that they have the power of communication.
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The fact is that in too many communities in cities in Britain gangs now have become completely rooted into these communities and they destroy them around them.
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It is better to suffer wrong than to do it, and happier to be sometimes cheated than not to trust.
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You become what you believe, not what you think or what you want.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
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I'm real happy. I've been lucky in love, and I've got a wonderful kid now, and things have been going well.
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My idea of teaching literature is just to read great passages aloud or to look at it the way a writer does, which is what I try to do. Which is to say, 'How does this writer do this? How did he order his scenes? Do you notice any pattern to his sentences?'
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For all its flaws, 'The Hands of Orlac' really is a seminal film, and if you're partial to that particular B-movie subgenre of Demon Body Parts, you really ought to see it.
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I stand by every mistake I've ever made, so judge away.
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I like a little bit of punk mixed with a little bit of feminine.
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When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
