Wendy Wasserstein Quotes
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The trick. . .is to find the balance between the bright colors of humor and the serious issues of identity, self-loathing, and the possibility for intimacy and love when it seems no longer possible or, sadder yet, no longer necessary.
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Every year I resolve to be a little less the me I know and leave a little room for the me I could be. Every year I make a note not to feel left behind by my friends and family who have managed to change far more than I.
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I thought I would write something that would make some people uncomfortable. . . . What intrigued me, I think, was the idea of women of my own generation who were successful, intelligent, coming to power and suddenly in the public arena. I started to think about what they are allowed and what they are not allowed.
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anyone who writes plays is unbelievably persistent, because there isn't a need in the world for plays. Somehow you internally have to feel a need to write a play.
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I'm not going to throw my imagination away. I refuse to lie down to expectation. If I can just hold out till I'm thirty, I'll be incredible.
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Anyone who is considered funny will tell you, sometimes without your even asking, that deep inside they are very serious, neurotic, introspective people.
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Being a grownup means assuming responsibility for yourself, for your children, and - here's the big curve - for your parents.
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I'm perpetually curious as to what happened to all those supposed prodigies who were singled out while I and my coterie of far more interesting malcontents passed on.
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I don't much like to think that being a bachelor girl limits how you see the world. On the other hand, I know it certainly limits how the world sees you.
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No matter how lonely you get or how many birth announcements you receive, the trick is not to get frightened. There's nothing wrong with being alone.
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The signature of a truly enviable woman is the tenacity and continuity of her women friends.
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Work is a way of shutting out ambiguous sentiment.
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As I ramble through life, whatever be my goal, I will unfortunately always keep my eye upon the doughnut and not upon the whole.
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One of the things about what . . . I do - writing plays - is that a poll is not taken before you say, Well, I'm going to write this because I think that you're going to like this and therefore you'll buy a ticket for this.
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The marriages come and go but your friendships stay, which is the opposite of what it used to be, so that there will be people in our lives for 30 years and often it is not your husband, it's your women friends, male friends with whom you come of age.
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Don't live down to expectations. Go out there and do something remarkable.
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Personally I don't spend much time thinking about being funny. For me it's always been just a way to get by, a way to be likable yet to remain removed. When I speak up, it's not because I have any particular answers; rather, I have a desire to puncture the pretentiousness of those who seem so certain they do.
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The thing I longed for as a teenager is now an object of neglect and scorn. I've grown to hate my telephone.
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I wrote my first play, Uncommon Women and Others, in the hopes of seeing an all-female curtain call in the basement of the Yale School of Drama. A man in the audience stood up during a post show discussion and announced, “I can't get into this, it's all about girls.” I thought to myself, “Well, I've been getting in to Hamlet and Laurence of Arabia my whole life, so you better start trying.”
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I very much write from characters. Those people start speaking, and then I have them in the house with me and I live with them. Then at some point, it's time to get them out of the house. You can only live with someone like Dr. Georgeous Teitelbaum from THE SISTERS ROSENSWEIG for so long, and then it's time for her to go. But it is very like having the company of these people and trying to craft them in some way into a story.
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Sloth is the fastest-growing lifestyle movement in the world, and that's because it is completely doable. If you embrace sloth, it's the last thing you'll ever have to do again.
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I really worked at becoming more assertive, and now none of my friends talk to me.
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Sometimes I want to clean up my desk and go out and say, respect me, I'm a respectable grown-up, and other times I just want to jump into a paper bag and shake and bake myself to death.
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being funny is a way of being liked and a way of dealing with sadness.