Susan Olsen (Susan Marie Olsen) Quotes
Quotes to Explore
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Golf was never a religion to me.
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Fear is the dark room where the Devil develops his negatives.
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I'm not really a piano player, but I play enough to get away with it.
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Before Booker T. Washington, we have small business owners but we do not have a philosopher of black entrepreneurship, and that's what Washington was.
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I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.
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I think the reason they cast me as the good girls is because they couldn't find any in Hollywood.
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Seriously, who doesn't want to slap a 27-year-old movie star?
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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Declare Church and State forever separate and distinct, but each free within their proper spheres, and that all church property shall bear its own proportion of taxation.
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One of my theories is to be captain on the field and off the field, you need to totally enjoy each other's company. I don't like discussing cricket off the field.
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I don't want to be the actor who's followed by paparazzi, you know? I would like to just do good work and have that work be respected and acknowledged.
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I'm a big routine guy. I have to have everything in threes.
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Changing the DNA of a large, multilateral organization such as the United Nations to deal effectively with modern threats is not easy. Indeed, when the United Nations was created in the wake of World War II, threats came almost exclusively from one state carrying out acts of aggression against another.
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I think art is more glorious than life but not more real.
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I wanted to go to New York and be a stage actress, doing things like Chekhov. None of that happened, and then I went to L.A. and an agent said, 'I think you belong in commercials and TV.' So I did that and got some opportunities that I absolutely love.
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When you mutilate movies for mass media, you tamper with the hearts and minds of America.
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When women work together, it's a bond unlike any other.
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As a child I was the best tree climber in our neighbourhood, I was like a little monkey. I've never been afraid of hurting myself or a little physical discomfort.
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Somewhere in there the grace of a ballet dancer joins with the strength of an SAS squaddie, the dignity of an ancient kind, the nerve of a bomb disposal officer.
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When you are portraying somebody that has a very specific emotional weight, you feel like you're really starting to abandon your own body and go to someplace else.
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Most of my playing style is very on point - the tapping, just by nature of being rhythmic, is tight - so I'd like to explore something looser and less precise.
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In '42,' it's like the '40s where racial equality had come into the consciousness of a lot of people, whereas in the 1900s it was sort of a new thing.
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It is when things go hardest, when life becomes most trying, that there is greatest need for having a fixed goal.
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You're looking at a different me than I'm looking at.
