Susanna Moore Quotes
I have to admit that I was very happy to finish 'In the Cut,' and happy not to return to it.
Quotes to Explore
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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I don't go out anywhere. I don't go to nightclubs, so meeting somebody in the nightclub is out of question.
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Reverence is fatal to literature.
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Everyone always says, 'When you look at a boy band, one of them has to be gay.' No, they don't.
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Working with Bruno Mars would be really awesome. I'm such a fan of his, and I love that he's a real artist.
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I've been playing old parts forever. I play 93 quite often. When you've done it more than once, you take the hint. I think it's a great burden if you're one of those fantastic stars who've always been beautiful; then I think it's hard.
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Every man is the architect of his own fortune.
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I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
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All I can do is leave it in God's hands and hope that my fans feel where I'm coming from.
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You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.
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I have a few homes, and Los Angeles is certainly one of them.
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I give up on spending time on these courts; I give up on practicing before the tournament I hate. I hate this.
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I never participated in far-reaching political decisions, since I never belonged to the circle of the closest associates of Adolf Hitler, neither was I consulted by Adolf Hitler on general political questions, nor did I ever take part in conferences about such problems.
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A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
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I was quite happy with the way I went, I think.
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We went through a hard time, and we had to turn to music as a means to putting food on the table. And we've been doing it ever since. No regrets either.
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I am a very good driver - a defensive driver.
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I'm a Mexican girl from California, and I never grew up thinking I could be in a Rodgers and Hammerstein musical. I didn't really see myself in that. Not that I didn't grow up loving Rodgers and Hammerstein, but I don't know - I just never put myself there.
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Maybe coming clean is the ultimate selfish act. A way to absolve yourself by hurting someone who doesn't deserve to be hurt.
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It's frustrating to do albums that you think are worth listening to, but it's just so difficult to cut through.
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I can pick good food, but I can't pick a good man.
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It's a sure thing that you'll not finish if you don't start.
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So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
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I have to admit that I was very happy to finish 'In the Cut,' and happy not to return to it.
