Susanne Langer Quotes
As comedy presents the vital rhythm of self-preservation, tragedy exhibits that of self-consummation.
Quotes to Explore
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For me, great music doesn't just have to fall into one category or one genre and I love appreciating all kinds of music.
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I was born in the small town of Gorizia, Italy, on 31 March, 1934. My father was an electrical engineer at the local telephone company and my mother an elementary school teacher.
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If I bring up political power, personal power, it sounds like they're my terms, and they're not.
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Of course on air I use occasional hyperbole to tell a story.
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If you really love someone and care about him, you can survive many difficulties.
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Win or lose, I always like to get back to my friends and family. They keep me grounded. When I'm home with my friends, I'm always the same Gabriel. I'm no better or worse in their eyes because of my results. It's good to be with your true friends. It always reminds me of where I'm from and who I am.
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People from the most horrendous of childhoods can have good lives, but it comes down to a very seemingly simple word. 'Choice.'
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One of the exciting things about an entanglement puzzle is there's no end to it. Once you solve how to take it apart, you have to solve how to put it back together.
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Some days I totally appreciate everything that's happening to me, and some days I feel everyone's waiting for me to mess up.
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Once you start to try and calculate why you were cast and why you weren't, you get in trouble.
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Every show finds its groove, I would say. The first season is the season to figure out the dynamics, the workflow.
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I get to enter into the world the director has created: to live these different lives on top of my own life.
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No other terms than unconditional and immediate surrender. I propose to move immediately upon your works.
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I was never as famous as all these kids. There was no social media. We weren't celebrity-obsessed as a culture. I feel like these kids are under a crazy microscope; they're basically brands. And they eventually implode and act out. They need a break, and they're not getting one.
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So much of what we do addresses the issues that are associated with climate change, whether it's working to reduce emissions, whether it's working to nail down our renewables, whether it's ensuring great efficiency in accessing all of our energy sources.
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To play with the best is very easy.
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One of the speakers asked how many women had been harassed or abused sexually in their life? There were thousands of women in the audience, and almost every one of them raised her hand.
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I don't really look for a script and go, 'I need to do a thriller, so I'm going to do this.' I just read scripts and look for the best possible story.
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First and foremost when you're doing comedy, you gotta be relevant and applicable to the times that you're living in. When you try and just do comedy about who is dating who and lifestyle jokes, it gets tiring after a while. It's hard to be funny in that realm.
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It seems that, culturally, young people function more in groups. They know each other through digital media. All the young comedy people who work in TV are really used to working at the table with lots of writers around. They're comfortable in the group; they don't assert their own egos over everyone else.
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True friendship is self-love at second-hand.
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As comedy presents the vital rhythm of self-preservation, tragedy exhibits that of self-consummation.
