Raoul Peck Quotes
It was really always about bringing back [James] Baldwin's words in all their rawness, in all their impact - in the way he analyzes not only this country but also the history of this country, the images that this country is fabricating through Hollywood, and what consequence that has in our imagination.
Quotes to Explore
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People who meet me think of Jill and transfer her strong qualities to me.
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And it's sort of an old-fashioned ER, in that it's very much about the medicine, and how these people cope. There's very little about the personal lives of the characters.
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The ruling ideas of each age have ever been the ideas of its ruling class.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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An ambitious, surreal tale of the love between a young Arab girl sold into marriage and the orphan boy she adopts, 'Habibi' spans multiple eras of conflict and change, stretching the lifetimes of its two protagonists over many centuries.
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If science fiction is the mythology of modern technology, then its myth is tragic.
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What becomes a crime deserving capital punishment when the tables are turned is a matter of small moment when the negro woman is the accusing party.
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I've never been against women. That anti-feminist rap is bogus. I think men should be nice to women, buy them diamonds.
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The type of leukemia that I am dealing with is treatable. So if I do what my doctors tell me to do - get my blood checked regularly, take my meds and consult with my doctor and follow any additional instructions he might make - I will be able to maintain my good health and live my life with a minimum of disruptions to my lifestyle.
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American actresses have more problems than I do; I'm lucky to be able to play what I want for a smaller audience, because I have my own country to do that in.
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I think it's very dangerous for people who do anything that's public to venture on the Web and check out what people are saying about them. Yes, you're bound to find things that will delight you - but you also find things that will make you brood and feel bad about yourself. Why would you intentionally invite that into your life?
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What people say behind your back is your standing in the community.
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There is a certain comfort in waking up and finding that Michael Jackson is still the Big Story. At least it tells you that nothing horrible has happened in the world that would force them to move on to real news.
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My mother's Puerto Rican and my father's Russian-Jewish, so we consider ourselves to be Jewricans or Puertojews. I think Puertojew sounds like a kosher bathroom, so I prefer Jewrican.
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The nation voted us to power to see unity and communal harmony, not for any division or communality.
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I consider myself to be very fortunate in my career, my timing has worked out.
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The Porsche was just a vehicle to get to another place. I used it to change people's perceptions of me. I had grown up really middle class. USC was filled with elitists, richies who would go skiing every weekend. So I pretended like I was part of that world - to be accepted.
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I probably should have a brand, but I think you can't get the best artists to work for you if you're branded. I get the trade-off, and I really would like to be more famous for my work, get more credit for my achievements.
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All my first albums, they're full of heart and emotion, and the songs are wonderful, but they wouldn't have been the takes I would have chosen.
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She writhes under her life. A woman more angry, passionate, reckless, and revengeful never lived.
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The outlaw, in the American imagination, is a subject of romance - a 'good' bad man, he is typically a master of escape, a crack shot, a ladies' man.
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A symbol is indeed the only possible expression of some invisible essence, a transparent lamp about a spiritual flame; while allegory is one of many possible representations of an embodied thing, or familiar principle, and belongs to fancy and not to imagination: the one is a revelation, the other an amusement.
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I was panicked a bit because I really don’t know about … the Cuban Missile Crisis. It had to do with Cuba and missiles, I'm pretty sure. I came home and I asked my husband, I said, 'Wasn't that like the Bay of Pigs thing?' And he said, 'Oh, Dana.'
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It was really always about bringing back [James] Baldwin's words in all their rawness, in all their impact - in the way he analyzes not only this country but also the history of this country, the images that this country is fabricating through Hollywood, and what consequence that has in our imagination.
