R. Madhavan Quotes
Quotes to Explore
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If I don't know I don't know, I think I know. If I don't know I know, I think I don't know.
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I think that 'The Shield' was a phenomenal series finale.
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I think the three Mexican directors that came before me did a very good job in Hollywood because they came in and started directing things like 'Harry Potter.'
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I am half Puerto Rican, a quarter German and a quarter black. That was always a big issue for me - being mixed race - because casting directors tended to be very like, 'OK, are you Hispanic for this role?' 'Or is she going to be African American?'
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I think Steve Jobs is my idol.
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I think it had to do with the people because some of our guys aren't used to this. It had to do with the crowd. When we got in a huddle, we had to settle down and realize it was just us and them.
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I'm still on an adventure but it's more without a goal then it was in the earlier years. I'm letting myself be led to the places I think I want to go.
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I once received a letter from an old lady in California who informed me that when the tired reader comes home at night, he wishes to read something that will lift up his heart. And it seems her heart had not been lifted up by anything of mine she had read. I think that if her heart had been in the right place, it would have been lifted up.
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I think within Japan there is talk about how there is the need to reassess the future of the U.S.-Japan alliance.
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When George Graham was there they complained, harking back to better days, but I think that's a fantasy.
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The nice thing about being a director is that I can say, "I can only get into the room after the kids are at school, and I have to be back for dinner. And they're coming for lunch."
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As a director you want to have actors, not only surpassing themselves, but also going somewhere, going different places.
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If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
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I think the most important thing in skiing is you have to be having fun. If you're having fun, then everything else will come easy to you.
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If there is one thing that, as a director, you don't want to be a part of, it's a group. It's the same thing with music. I don't want to be a part of a scene. Just leave me alone. It's just my nature, and it's nothing against the people that are in that group, but I just like to be left alone.
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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
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The directors are supposed to be the stewards of their shareholders' investments, but too often act at the behest of the advisory and management companies that run the funds' day-to-day operations.
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I think that's the thing. I don't want to date a celebrity. I want to date a normal person. So I'm looking for a normal person.
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As long as you have a director, that's your feedback. It's the director telling you, "Okay. That was great! Okay. Can we add a little? Can you tweak it like this? Can you make it more high pitched? Can you give it a little growl?"
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I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
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From an early age I was aware of what America meant, and how the Marines at Camp Pendleton were ready to defend us at a moment's notice. I also remember what fabulous bodies those troops had.
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I think Anand Rai is one of the few brilliant directors we have.
