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In the 90s, there was a yahoo factor where there would be 50 people crowd surfing at one time! It was insane, and it had nothing to do with the music.
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Ultimately, I know what I'm doing and why I'm doing it. I'm trying to be a construction worker. I'm trying to make things. If people are not interested in that, fine. I just don't give a damn.
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I'm a fifth generation Washingtonian and I was born and raised here. My kid's a sixth generation Washingtonian. Honestly I wish people didn't move because I love the people of the city.
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We had punks literally protesting Fugazi. I respect a boycott. I respect a conscionable boycott, but of all bands to boycott? Fight crime. If you really want to get out there, go fight crime.
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American business at this point is really about developing an idea, making it profitable, selling it while it's profitable and then getting out or diversifying. It's just about sucking everything up.
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The thing is, people can't complain about profit-oriented moves if they're only interested in profit themselves. You can't have it both ways. If they're willing to polish up a gift and sell it to make money, they can't really complain about the fact that somebody above them has sold them down the river. That's the way it goes.
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'I think that the idea of straight edge, the song that I wrote, and the way people have related it it, there's some people who have abused it, they've allowed their fundamentalism to interfere with the real message, which in my mind, was that people should be allowed to live their lives the way they want to.' 4
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To me, music is no joke and it's not for sale.
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The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.
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Ultimately, I'm not the most prolific person, but I've been doing this for a long time, and I keep on putting out music. The only thing that drives music is the people who are making it.
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I feel quite connected to the past, and my memory. Everything that I've ever done I can still relate to, and feel connected to it in a way. There's no part of my life that I look at and go, 'I don't recognize that person at all.'
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Yeah, if someone's selling downloads and collecting money for our songs I would be unhappy about that but if they're trading it I don't mind, obviously if I make a thousand records or CDs or whatever, I like to sell a thousand.
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I'm really anti-option, so computers have been my nightmare with recording. I don't want endless tracks; I want less tracks. I want decisions to be made.
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For most people who have or who do identify as or with [song] Straight Edge, I feel like for most people, they're just trying to do the right thing.
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I jump from one thing to the next but try and strike a balance. But it's not nostalgic in the sense of 'those were the good old days and now we're not there'. I don't think like that. Not my way.
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I'm not a religious person, and I'm not too interested in being a part of a religion, but I do like having some sort of communal gathering, and having some sense of peoples.
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There are many things that people do happily that I can't imagine why they would do it... But I have to say that even though I am critical or judgmental of society at large, I'm not critical of people individually. We are who we are.
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I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.
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I consider the guitar a tool for the most part. I do pick up the acoustic now and then, I certainly don't have any routine. Usually the only time I practice is when the band gets together. Hendrix has always been one of my favorite players, but I was a sucker for Nugent in the late 1970's.
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We play loud electric guitar music, and we'd hope that that doesn't mean you have to act like an asshole.
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I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.
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Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.
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Minor Threat was an important band, believe me that it was important it in my life, but it belongs to an era that no longer exists. I'm not nostalgic. I think music today is much more important, because something can be done about it.
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I think sometimes my humor is extremely dry, and a lot of times I would say things that I thought were very funny but... I have a reputation of - people think of me as a very fundamentalist, humorless fellow.