Brigitte Michael Sumner (Mickey Sumner) Quotes
I want to keep acting and I want to keep working with high quality artists. I might be a bit spoiled because they're so good at what they do. I think the only way you learn is to surround yourself with people that are better than you.
Quotes to Explore
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I didn't know I wanted to act until it was around 21. I had just come back to Los Angeles after two and half years of traveling and working as a dancer and singer and was looking for a new performing art to study. I started taking acting classes and fell in love.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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When I started acting, there were parts in English that I thought I just had to try it out and go to another country. I did a film in Ireland. It was my first film abroad.
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Since I started acting, I've always been aware of the sort of 'beastly entity' that is America and Hollywood, and semi-consciously, I devised a kind of route in - I'd seen a lot of people try and fail.
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I can't take much pride in my childhood acting. It feels like it happened in another lifetime, and even then, it felt like a hobby.
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Even when I get to the point where I am acting and performing, where I want to be with my career, I'm never going to think of anyone as lower than me. Everyone's the celebrity of their own life, you know?
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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I always tell young actors to have a back-up. You don't want to find yourself at the age of 30 still struggling to make a living out of acting.
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Probably Romania and China and Russia. I think they're all working really hard to beat us right now.
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I think all girls secretly want to be actresses because acting seems so glamorous. But as a child, I was always the villager who had one line in the school play. I was shy and I had a bit of a lisp.
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I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage.
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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Acting provides the fulfillment of never being fulfilled. You're never as good as you'd like to be. So there's always something to hope for.
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Todd and I have a very complementary working style .
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There's not a day that I don't work on vocals, have vocal coaches, go to acting classes, read books.
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It's interesting that a lot of female artists want to collaborate with me.
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I got a job as a human rights and refugees officer, working on youth-based projects. But I realized all the kids I was working with were far more into 'The Daily Show' than the policy briefings.
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I grew up with artists and drag queens. These were just my neighbors and friends and the people who are raising me.
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My approach to acting is the 'let's pretend' school of acting.
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If someone is interested in working with me, I would much rather them email me and we sit down or get on the phone, than them look at a client list and decide if I'm worth it or not. It should be based on work, and based on how we get along. As opposed to like, "Oh, he's worked with this, this, and this. Let's go. That's fine."
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Being an adult, you've already suffered enough from your own mistakes, and the world, to come to this as a humble human being. So it's not like, "I'm going to do the right thing because it advances me," as much as it's like, "I'm going to do the right thing because this puts me closest to the dream I had as a 10-year-old kid."
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I've only cried at one book, but I'm too embarrassed to tell you which. It wasn't terribly intellectual. I will admit, though, to crying when I've read books aloud to my elementary class. We read a biography of Gandhi once, and it was very difficult to read the part where Gandhi was killed, because they were waiting for a happy ending.
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I remember the first film I did, the lead actor would, in between scenes, be reading a newspaper or sleeping and I'd think, 'How can you do that?' But it's so exhausting, you can't be 'on' 12-14 hours a day.
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I want to keep acting and I want to keep working with high quality artists. I might be a bit spoiled because they're so good at what they do. I think the only way you learn is to surround yourself with people that are better than you.
