Nina Hagen (Catharina "Nina" Hagen) Quotes
I'm from East Berlin. I grew up in the Bertold Brecht, Kurt Weil tradition, also in the old hippie tradition.
Quotes to Explore
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Actors are always the last to see what they have created.
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Since 1989, we have been deploying on an average of every 18 months.
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I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
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It would be easier to make money in other sectors, but since I was a kid, I liked cars.
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I'd say the best is when I was in Africa, I saw a hippo in a house. Someone had a pet hippo. And they're meant to be one of the most dangerous animals on the planet, and they had one that was sort of just wandering in and out of their house, just sort of roaming about.
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And eventually as I kept writing it, something emerged that was not quite me but a version of me.
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I have no idea what advantages I truly get, but I know people talk to me and give me time of day because they like how I look.
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The strange anthropological lesson of social media is that human beings, if given a choice, often prefer to socialize alone.
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But I was losing so much bone density that I would have been in grave danger. And I mean grave danger. If I had let it go just a few more years I could have broken my hip or spine just picking up my granddaughter.
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I can write a program that lets you break the copy protection on a music file. But I can't write a program that solders new connections onto a chip for you.
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I don't write with a scheme or a plan. I write word to word, so whatever that first sentence is, having said that, one more or less had to say what comes next and next and next. Guilty of no cogitation or forethought.
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My relationship with everyone in Jamaica is good.
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I like to write. I love to write. But I write just for myself and my own pleasure.
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As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.
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Whomever you're going to interview, you have to be interested in what it is you want to know from them. You have to be interested in the subject.
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The No. 1 issue with women in this country is jobs, and the No. 2 issue is our national security. So, economic security, national security and retirement security.
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True dignity is never gained by place, and never lost when honors are withdrawn.
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I am one of millions who have been treated for depression and gotten well; I was lucky enough to have a psychiatrist well versed in using lithium and knowledgeable about my illness, and who was also an excellent psychotherapist.
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My first outdoor cooking memories are full of erratic British summers, Dad swearing at a barbecue that he couldn't put together, and eventually eating charred sausages, feeling brilliant.
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For decades I've been told by my adversaries in the Religious Right that they only seek a “place at the table” for their Christian worldview—well, their version of Christianity, that is. But evidence has mounted recently that what they really want is something else entirely: to own the table, determine what goes on it, and force-feed everyone the same gruel they consume.
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If you get a chance to go outside of the country, you start examining where you're from and some of the thought processes. Like when I finally got away from the east coast for a while, and I came back there was just this underlying anger that I never noticed before, because I was born there and just dropped right into it.
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I was interested in Armstrong to begin with because he is the most important figure in Jazz in the 20th Century. There's simply no question about it. I mean, if you're going to compare him to somebody, it's Shakespeare in terms of centrality of the tradition, in being at the beginning of it.
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I'm from East Berlin. I grew up in the Bertold Brecht, Kurt Weil tradition, also in the old hippie tradition.
