Terry Gross Quotes
Quotes to Explore
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Unless technology itself is drastically repressed, the idea of the dystopian monoculture like Orwell's 1984 gets harder to believe. But the danger of a solipsistic society will grow, of a disconnected society of mirror-watchers and navel-gazers.
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I'm from Maine. I eat apple pie for breakfast.
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We discovered a mechanism which is like the garbage machine of the body. We need to remove damaged proteins and create new ones in their place, and we discovered the machine that does this.
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Acting is merely the art of keeping a large group of people from coughing.
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I spent years studying the teachings of Patanjali, and he reminded us several thousand years ago that when we are steadfast - which means that we never slip in our abstention of thoughts of harm directed toward others - then all living creatures cease to feel enmity in our presence.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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I don't want to go to work and get into bed with someone else, not even Tom Cruise. It's not like I enjoy it.
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There's almost no author alive who isn't weathering the tumultuous changes in the publishing industry.
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I have experienced a murderer among my friends. Many, many years ago. At close range I have seen the impact of it. I knew the victim, I went to the funeral, I have been to the house, to the specific room where the killing took place, and I was stunned by it. It's such a blow.
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I prefer to underplay scenes rather than, you know, be big and drive them. And sometimes you have to do that, but I like the more natural styles.
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I like to work and it kind of keeps me in line, which is very good because I need that structure.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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Thankfully, due to the United Kingdom and the commitment of the Westminster government we are able to ensure that money brought in, whether it be from the City of London or from North Sea oil, can be pooled and directed to wherever it is needed most. That is what being in the United Kingdom is all about.
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I'm interested in complexity, in the mathematical sense, as well as the idiomatic sense. The idea of emergence - that it's possible for complex patterns to arise out of many simple interactions - is fascinating.
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There is a certain aesthetic pleasure in trying to imagine the unimaginable and failing, if you are a reader.
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In Russia we only had two TV channels. Channel One was propaganda. Channel Two consisted of a KGB officer telling you: Turn back at once to Channel One.
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I came from poverty and was part of those circumstances.
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I started really thinking a lot about where does a country go when we stop being able to speak to each other, when a nation stops being able to solve problems because its ideological differences become so deep that it just becomes dysfunctional.
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You pressure, you want possession, you want to attack. Some teams can't or don't pass the ball. What are you playing for? What's the point? That's not football. Combine, pass, play. That's football – for me, at least.
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People have given their lives to this industry to make movies compelling.
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Actors want to act. I think a lot of times what happens is that they're expected to bring it all. Probably because I'm a writer, I'm not telling them what to do. I just provide them with as much as I can.
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I was very bookish and shy. I didn't have playmates, ever.
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Theatre is my first love. I don't understand why people say that theatre can't give you money.
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I love songs. Songs are my favorite things.
