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Sometimes when I'm on the internet, I'll get this, like, which of these ad experiences would you prefer? And I'll have a choice of, like, a car, a pharmaceutical item or, you know, clothing. And I'm thinking, like, I don't want any of these. Do I have to choose?
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It seems that's where Bill Clinton came in last night because he told this long story about how they met with Hillary Clinton, how he courted her, how he bought a house to convince her, I think after the third proposal, to actually marry him. And he talked about her activism and her commitment and everything. And it was as if he could tell the narrative in a way that she couldn't.
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I love the edited version of it.
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Gene Wilder made his movie debut in "Bonnie And Clyde," starred in the Mel Brooks films "The Producers," "Young Frankenstein" and "Blazing Saddles," played opposite Richard Pryor in "Silver Streak" and "Stir Crazy" and portrayed the candy-maker in "Willy Wonka And The Chocolate Factory."
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I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.
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I love songs. Songs are my favorite things.
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I'm really interested in, who's booked the guests, who's decided to have Lena Dunham and to have the mothers of sons who were shot - sons and daughters who were shot by the police and, you know, the other performers, Paul Simon and Alicia Keys.
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I don't think my father noticed that he had daughters. I think, you know, part of the damage of the childhood was, I simply don't think they were acknowledged as human beings at all. Or - you know, one of the reasons I became a cook later on in my life was, I was not allowed to cook an egg.
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When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.
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So when the book came out, my mother stunned us all by leaving my father. I think three months before the book came out, she left my father the day he retired from the Marine Corps. They had a parade and march, and she came home and left.
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I respect someone's right to privacy and I want them to know it.
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I work in a medium where I get to be totally invisible and I get great pleasure from that, being a pretty self-conscious person.
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I thought it was interesting when Bill Clinton said, I married my best friend, because people are always asking, what is the nature of their marriage.
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The Bernie Sanders campaign said you might be suppressing the vote by doing this 'cause people in those states might decide to stay home, that their vote doesn't count.
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I think the interview form works best on the radio. There are a lot of personality traits conveyed in a person's voice, the rhythm of their speech or how confident they sound.
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My father modestly referred to himself as the Great Santini when we were growing up. And he took it - I later learned he had seen a high-wire aerialist when he was a boy, and he was up doing acrobatics in his airplane, and when he came down one time - when was a young lieutenant - he said, I was better than the Great Santini today. And some of the other pilots heard it, and the nickname stuck.
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There should be a revenue stream that helps pay for the publication or for the work and helps pay the people who do it.
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Often real life is boring and problematic. I love the edited version of it.
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I mean, Dad's - you know, Dad's friendliest tone was a scream.
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I know that everyone who listens to radio creates you in a visual image that they need you to have. Whatever that is, I thought, let them have it. Let me be who the listener needs me to be and let me not contradict that with the reality of my photograph and risk disappointing them.
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The excitement for me lies not so much in interviewing the hard-to-get famous person, but the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you're realizing how great they are.
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Anyone who agrees to be interviewed must decide where to draw the line between what is public and what is private. But the line can shift, depending on who is asking the questions. What puts someone on guard isn't necessarily the fear of being 'found out.' It sometimes is just the fear of being misunderstood.
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So the Great Santini was how he liked being referred to by his children. He would line up his seven children, and there was this ritual we'd go through. And he would say, who's the greatest of them all? And we - the seven - would say, you are, oh, Great Santini. And he would say, who knows all, hears all and sees all? You do, oh, Great Santini. So this was the ridiculous way I was raised.
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A lot of the things that we think of as being racial differences are really class differences in America.