Terry Gross Quotes
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So the Great Santini was how he liked being referred to by his children. He would line up his seven children, and there was this ritual we'd go through. And he would say, who's the greatest of them all? And we - the seven - would say, you are, oh, Great Santini. And he would say, who knows all, hears all and sees all? You do, oh, Great Santini. So this was the ridiculous way I was raised.
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The excitement for me lies not so much in interviewing the hard-to-get famous person, but the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you're realizing how great they are.
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I was in an adolescent psychology class at Citadel when the guy said, if you had a mother who was beaten, there's a great chance you'll beat your wife. And if you were beaten as a child, there's a terrific chance you're going to be a child-beater.
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And once you say this is true, you start naming the beast that hurts you - so I started doing this. Other truths come out.
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I'm first generation American, and my parents were both from Nigeria. And so I always say that I'm literally an African American. So my last name is Famuyiwa, it's different. And so that was a part of my experience from people not being able to pronounce it to not sort of having sort of a shared, common history with a lot of the kids that I was growing up with because my parents were from Africa.
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When I hear a politician speak biographically, I never know what's part of the campaign biography narrative that's been carefully crafted.
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A lot of the things that we think of as being racial differences are really class differences in America.
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My parents were pretty open about a lot of things, especially my mom. And any kind of little crazy thing I was into, she was very supportive of. You know, whether it was BMX bike racing or being in the Boy Scouts or surfing or anything else, she always seemed to sort of support it. And I think it's because she was an immigrant and that idea of sort of having her kids be able to have access to their dreams and whatever they wanted to follow was very important to her.
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I think there's always an expectation when you're a first generation, especially a first-generation Nigerian, of sort of being a doctor or a lawyer or an engineer. And so, you know, sort of my initial pursuits into the arts and that I was going to pursue film as a career didn't confuse them, but it was definitely something that they were scared about.
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Donald Trump's hair frankly. Sometimes you know you're going to get criticism, but you just have to take .
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We grew up as this family of deniers. And people who knew us for years were stunned when "The Great Santini" came out because we had this appearance of being this happy, large, smiling family. We were taught to smile, put the best face forward. And so when the book ended up - Dad swatting us around the room, no one believed me.
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What puts someone on guard isn't necessarily the fear of being found out.
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[Hillary Clinton] is hinted a little bit about what his Bill Clinton role might be, but just a little bit.
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I have to match wits with the ads. Like, there's pop-ups that, like, move around and you have to chase them like it was a video game or something. And then there's ads where, like, you know, the X to, like, close the ad screen is so kind of small that you can't find it and you have to actually go looking for it. And so I spend all my energy - instead of, like, absorbing what the advertiser wants to communicate to me, I spend my energy trying to figure out how to defeat the ad.
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Work can take on a new dimension if you know something about the artist.
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Most people I know that have work that is very meaningful to them pay the price of having to work all the time.
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Dad mistook - for some reason unbeknownst to me - he mistook his family for a platoon of Marines. I mean, he - the exact same thing he brought to the disciplining of a squadron, a battalion, a platoon, he brought to the disciplining of his children. He ran the house - he had Saturday morning inspections for us, he had white-glove inspections for us as kids.
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I really believe people should be paid for the work that they do.
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Many artists use their own lives as a kind of case study to examine what it's like to be human.
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The line changed my life 'cause I thought of some poor woman I hadn't even met walking around the United States or the world not knowing she's going to be beaten up by me and these kids, unborn, not knowing they were going to be born into the family of a child-beater just because I was. So it really did have a great effect on me.