Mike Figgis Quotes
Quotes to Explore
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It was a great opportunity that I had to take - my very own theater. That comes along once in a lifetime. It doesn't even seem like 15 years ago - time sure flies by. I've really had a lot of fun with it.
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No god ever gave any man anything, nor ever answered any prayer at any time - nor ever will.
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I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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I like to give my inhibitions a bath now and then.
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We have to balance the lineality of the known universe with the nonlineality of the unknown universe.
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I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
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I still use the guitar pretty much just to hide my gut.
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What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
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I went to a French immersion school, and French-Canadian improv is a big thing, and we had an improv team at school, and 12 of us would get up and make things up against other elementary schools. I'd always wanted to perform, and that was just another extension of it.
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I need to do more on stage. I've got to get my fix!
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I select a very small number of things to be sceptical about, such as markets, and on these I am hypersceptic. But I want to be fooled by randomness in art. I want the ceremonial of religion; we are made for it.
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I love being on the road. I love that lifestyle, traveling city to city, rocking out and moving on to the next place.
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This very individualistic form of Protestant Christianity that became so basic in English and then American life is to a large degree responsible for the historical success of Britain and America.
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The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
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I'm basically for the whole year just traveling with three suitcases.
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Keep a diary, and someday it'll keep you.
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You were designed for accomplishment, engineered for success, and endowed with the seeds of greatness.
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The toughest thing about success is that you've got to keep on being a success.
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There's something really nice about writing something on Wednesday and watching it being performed live for a studio audience on Tuesday. You never really get that with novels.
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Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.
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It is odd there are many movies with many men. But generally movies have one woman, or maybe the older woman and the younger girl.
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And it's run for the rosesAs fast as you canYour fate is deliveredYour moment's at handIt's the chance of a lifetimeIn a lifetime of chanceAnd it's high time you joinedIn the danceIt's high time you joinedIn the dance.
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I've spent my life hearing people trying to apologize for music.
