Mike Figgis Quotes
Quotes to Explore
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It was a great opportunity that I had to take - my very own theater. That comes along once in a lifetime. It doesn't even seem like 15 years ago - time sure flies by. I've really had a lot of fun with it.
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No god ever gave any man anything, nor ever answered any prayer at any time - nor ever will.
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I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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We have to balance the lineality of the known universe with the nonlineality of the unknown universe.
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I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
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What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
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I went to a French immersion school, and French-Canadian improv is a big thing, and we had an improv team at school, and 12 of us would get up and make things up against other elementary schools. I'd always wanted to perform, and that was just another extension of it.
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I need to do more on stage. I've got to get my fix!
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I select a very small number of things to be sceptical about, such as markets, and on these I am hypersceptic. But I want to be fooled by randomness in art. I want the ceremonial of religion; we are made for it.
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I love being on the road. I love that lifestyle, traveling city to city, rocking out and moving on to the next place.
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The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.
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I'm basically for the whole year just traveling with three suitcases.
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Keep a diary, and someday it'll keep you.
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You were designed for accomplishment, engineered for success, and endowed with the seeds of greatness.
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The toughest thing about success is that you've got to keep on being a success.
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Some people have theorized that I lurched to prove myself intellectually. But it was not any lurch. It was more a kind of awakening.
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I think the song itself, 'Smoke and Fire,' is just a metaphor for the feelings that you feel in a relationship.
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People are so confused about race and hip-hop that people didn't even consider the Beastie Boys one of the greatest rap groups of all time because they were white.
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I would rather Google other people than Google myself.
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I would say people remember me from 'Life Goes On' more than anything.
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Contemporary ramen is totally different than what most Americans think ramen should be. Ramen is not one thing; there are many, many different types.
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After a couple years of occasional lessons with Pass I moved to Boston to attend the New England Conservatory.
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I've spent my life hearing people trying to apologize for music.
