Nina Jacobson Quotes
To me, a great story well told is a great story well told, and just because the protagonist is a young adult doesn't mean that story has less merit or worth than if the protagonist is a full-grown adult.
Quotes to Explore
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I really, really loved making 'This Is My Life' and 'Now and Then.'
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I was always under the impression that acting is an innate gift. One of the first things I heard them say at Koothu-P-Pattarai was that actors should realise the art of acting through their training.
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If we are to change America, we must change the United States Congress.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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You're creating new things in movies and people are going to steal them.
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When a book of mine comes out, I instantly go hunting the net, not for praise, but for criticism, because that's how you learn, from people who don't have to be polite to you.
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Humor can be an incredible, lacerating and effective weapon.
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I think initially, the record industry struggled a lot with digital media because there are a lot of aspects to it that can potentially destroy our industry.
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According to the perverse aesthetics of artistic guilty pleasure, certain books and movies are so bad - so crudely conceived, despicably motivated and atrociously executed - that they're actually rather good.
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When I was in my early teens, I joined a cult. And we weren't allowed to listen to secular music or anything that wasn't made by us. So I spent a lot of time not listening to music, and by the time I could, I just didn't get into it.
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Richard III is not likeable. Macbeth is not likeable. Hamlet is not likeable. And yet you can't take your eyes off them. I'm far more interested in that than I am in any sort of likeability.
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The books of C.S. Lewis had a very profound, indirect effect on me.
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I worked with a guy, I can't think of his name, him and his wife, and one of them had a saxophone and the other played drums. It wasn't a regular job but I did a few gigs around home with them.
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The Ukraine has a long history of either being part of the Soviet Union or within that sphere.
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A priest is he who lives solely in the realm of the invisible, for whom all that is visible has only the truth of an allegory.
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Might let him take it home and slaughter that/ He got friends for all of my friends/ They ain't leaving 'till we say when/ And we gon' hangover the next day.
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We had a good response from Australind/Leschenault and there appeared to be an opportunity to have a scout group in the area.
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They should be shot. (on the Backstreet Boys)
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The last paragraph, in which you tell what the story is about, is almost always best left out.
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You don't just have a story - you're a story in the making, and you never know what the next chapter's going to be. That's what makes it exciting.
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The process is always the same. I get an inspiration for a new song, I put it down on paper immediately so I won't lose it. When I am ready to go to the studio with it, I play it a few times on the piano and edit, add, and type the lyrics and take it to the studio. Sometimes I don't have anything on paper.
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To me, a great story well told is a great story well told, and just because the protagonist is a young adult doesn't mean that story has less merit or worth than if the protagonist is a full-grown adult.
