Eddie Marsan Quotes
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
Quotes to Explore
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I won't allow myself to have tremendous fear.
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
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I like to work all the time and really immerse myself in the project.
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It may sound funny, but it's true: I tried to put myself through the 12-step program. I didn't want to attend a real meeting; my role didn't really require that, and I feel those meetings are sort of sacred, and they're anonymous for a reason. I tried to deal with some of my love of snacks - and I relapsed a lot.
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I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
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I'm a wonderful editor. That's what I do best. I know exactly what I want. If I have to decide whether to wear the red dress or the blue dress or what should I have said, I am constantly changing my mind.
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Every story I create, creates me. I write to create myself.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is 'The Shining.' I don't really like slashers, but I love thrillers with tension.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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I haven't always been confident. I actually suffered with low self-esteem growing up. Eventually, I got to a point where I was just like, 'OK, this is taking too much energy.' After that, I started accepting myself for who I was, and I was like, whoever is not going to accept it, they weren't really meant to be in my life in that way.
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I don't take myself too seriously.
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Sometimes people only see horrible, terrible things in my paintings.
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'Heartbreak House' was a lot of fun for me. I must have missed that day at school. I'd never read it or seen it. It's one of those things that a lot of people are familiar with.
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You always want to try to make something new, and, of course, America is the world leader in economics today.
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I lost relatives to AIDS. A couple of my closest cousins, favorite cousins. I lost friends to AIDS, high school friends who never even made it to their 21st birthdays in the '80s. When it's that close to you, you can't - you know, you can't really deny it, and you can't run from it.
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I always write three or four projects at the same time. They're stories that I want to tell, and usually I dump them unfinished for the next one in order not to get too cornered and depressed about it.
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I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
