Willa Cather Quotes
Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
Quotes to Explore
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My favorite thing to do is to wind those guys up by hitting on their girlfriends. I say, 'I think your girlfriend's gorgeous, but it's all right, I'm gay.' They get very nervous after a few minutes!
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I've always been proud that my name stands for peace.
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Never regret yesterday. Life is in you today and you make your tomorrow.
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Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.
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If I had a choice, I'd rather be admired less and have my husband tormented less. I'd prefer that people concentrate on a fair assessment of him and his Presidency.
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I found it peculiar that those who wanted to take military action could - with 100 per cent certainty - know that the weapons existed and turn out to have zero knowledge of where they were.
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The Technion didn't teach students how to open a start-up.
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Some of the greatest moments in human history were fueled by emotional intelligence.
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The woman who purposely destroys her unborn child is guilty of murder. With us there is no nice enquiry as to its being formed or unformed.
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When something startlingly new comes up, young people, especially, seize it. You can't complain about that. I think its heyday has passed, but it's had an effect and will continue to have an effect.
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As the numbers of native-born Europeans begin to fall, with their anemic fertility rates, will the aging Europeans become more magnanimous toward destitute newcomers who do not speak the national language or assimilate into the national culture but consume its benefits?
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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Among those who are satisfactory in this respect it is desirable to have represented as great a diversity of intellectual tradition, social milieu and personal character as possible.
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I had to give myself permission to act, then others agreed.
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No one in my family has been observant for generations, but we all identify with being Jewish.
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When I moved in, I said, 'I don't care how this makes me look or sound: I am converting one of these bedrooms into a shoe closet.' It's become more of a dressing room, but one wall is shoes in their perfect cubbies.
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I was so lucky to have parents who supported me, 100%, with whatever I was doing, both financially and emotionally. Having that they made my life so much easier. Instead of becoming a bartender and trying to survive while trying to pursue your dreams, I didn't have to worry about that aspect. I could just pursue my dreams.
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Lizz Wright is my favourite singer. Her voice moves me and takes me to another place. She also grows her own food, and that inspires me.
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The trouble with 'sacrifices as symbolic acts' is that the immediate impact on those for whom the sacrifice is made quickly fades, while the impact on those who actually make the sacrifice can go on and on.
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I am a writer. It's like a third arm to me.
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We probably do not have a large enough industry here to ably support the independent filmmaker to move in and out. Much of the industry is based on full-time jobs here, institutionalised jobs.
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I don't design for myself. I design something keeping in mind that it has to please a lot of women.
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Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
