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The great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free.
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The sun was like a great visiting presence that stimulated and took its due from all animal energy. When it flung wide its cloak and stepped down over the edge of the fields at evening, it left behind it a spent and exhausted world.
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Every artist knows that there is no such thing as "freedom" in art. The first thing an artist does when he begins a new work is to lay down the barriers and limitations; he decides upon a certain composition, a certain key, a certain relation of creatures or objects to each other. He is never free, and the more splendid his imagination, the more intense his feeling, the farther he goes from general truth and general emotion.
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Every fine story must leave in the mind of the sensitive reader an intangible residuum of pleasure, a cadence, a quality of voice that is exclusively the writer's own, individual, unique.
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I like trees because they seem more resigned to the way they have to live than other things do.
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William Tavener never heeded ominous forecasts in the domestic horizon, and he never looked for a storm until it broke.
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The trees and shrubbery seemed well-groomed and social, like pleasant people.
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So long as a novelist works selfishly for the pleasure of creating character and situation corresponding to his own illusions, ideals and intuitions, he will always produce something worth while and natural. Directly he takes himself too seriously and begins for the alleged benefit of humanity an elaborate dissection of complexes, he evolves a book that is more ridiculous and tiresome than the most conventional cold cream girl novel of yesterday.
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Imagination, which is a quality writers must have, does not mean the ability to weave pretty stories out of nothing. In the right sense, imagination is a response to what is going on — a sensitiveness to which outside things appeal. It is a composition of sympathy and observation.
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Nearly all the Escapists in the long past have managed their own budget and their social relations so unsuccessfully that I wouldn't want them for my landlords, or my bankers, or my neighbors. They were valuable, like powerful stimulants, only when they were left out of the social and industrial routine.
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Only solitary men know the full joys of frienship. Others have their family; but to a solitary and an exile, his friends are everything.
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Ah! the terror and the delight of that moment when first we fear ourselves! Until then we have not lived.
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The irregular and intimate quality of things made entirely by the human hand.
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The air was cool enough to make the warm sun pleasant on one's back and shoulders, and so clear that the eye could follow a hawk up and up, into the blazing blue depths of the sky.
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Loyal? As loyal as anyone who plays second fiddle ever is.
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Beautiful women, whose beauty meant more than it said... was their brilliancy always fed by something coarse and concealed? Was that their secret?
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The emptiness was intense, like the stillness in a great factory when the machinery stops running.
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It is cremated youth. It is all yours--no one gave it to you.
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The soul cannot be humbled by fasts and prayer; it must be broken by mortal sin to experience forgiveness of sin and rise to a state of grace. Otherwise, religion is nothing but dead logic.
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People always think the bread of another country is better than their own.
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The more observing ones may have seen, but discerning people are usually discreet and often kind, for we usually bleed a little before we begin to discern.
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If we never arrived anywhere, it did not matter. Between that earth and that sky i felt erased, blotted out. I did not say my prayers that night: here, i felt what would be would be.
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Sometimes I wonder why God ever trusts talent in the hands of women, they usually make such an infernal mess of it. I think He must do it as a sort of ghastly joke.
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Sometimes a neighbor whom we have disliked a lifetime for his arrogance and conceit lets fall a single commonplace remark that shows us another side, another man, really; a man uncertain, and puzzled, and in the dark like ourselves.