Antoni Porowski Quotes
What I've learned is that living in public life... it's impossible to have everybody like you. No matter what you do.
Quotes to Explore
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Condemn me. It does not matter. History will absolve me.
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You will never see me dancing around the trees, chasing a heroine; I will never do films, no matter what the budget, for the heck of it.
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I've been angst-ridden all my life, but finally I'm in a place where things don't matter so much.
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Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life.
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You have to do your own growing no matter how tall your grandfather was.
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One of the things I was so glad that happened to me on Knots was that I learned to relax.
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The basis of art is truth, both in matter and in mode.
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Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
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Then I learned how to do wraparounds and things like that. I had no experience.
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I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.
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It's only a matter of time before the English clubs become a lot more competitive in Europe, if not dominant, because our league is, by far, the richest league in the world.
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No matter what I do, I'll be forever known as the Manson prosecutor.
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I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
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I've learned not to be as maniacal as I used to be.
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But it doesn't matter what you're doing, it matters how you're doing it.
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I vowed that whenever my family needed me, I would give up everything to go to them, no matter what. The show must go on was meaningless to me.
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I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
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'Tristan' is a very unique case, not just in Wagner's output, but in music in general. It remains contemporary no matter what else surrounds it. There is something self-renewing about it.
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When you play a lead role, you're in pretty much every scene. It's incredibly tiring. You really have to disappear into the film because you have no time to do anything else. You are either awake and playing the character, or you are trying to catch up on sleep.
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Even though 'Hemlock Grove' was a serious, supernatural mystery, it was pretty fun on set. It was a light mood.
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I don't believe in proper cinema; it doesn't have the strength of television. People having to go out to the cinema is really archaic. I'd much rather sit at home.
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What I've learned is that living in public life... it's impossible to have everybody like you. No matter what you do.
