Ayushmann Khurrana Quotes
It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.
Quotes to Explore
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I fell in love with doing yoga.
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Emotional messiness is my reason for life. In acting, it's so important.
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Adults are locked into car payments and divorces and work. They haven't got time to think fresh.
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The only thing that I discovered very early on is that, even though we might change schools and cities and towns and states, the books in the library were the same. They had the same covers. They had the same characters. I could go and visit those people in the library as if I knew them.
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I want to be judged by who I am, not by a relationship.
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Food-wise, oh man, I tend to really indulge on vacation because a lot of my friends are incredible chefs. One friend makes an eggplant parmesan that is heavenly and melts in your mouth, and another makes a chocolate pudding that I can't resist.
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I love it when a guy compliments my vibe.
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Failure will never overtake me if my determination to succeed is strong enough.
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Accept what people offer. Drink their milkshakes. Take their love.
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The sinews of art and literature, like those of war, are money.
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I loved school so much that most of my classmates considered me a dork.
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Years are not important, my dear.
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To be honest, I would never have imagined myself acting on a sitcom that I didn't write.
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When I was in my teens I had issues with OCD.
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One of my books, 'Rain Falling on My Face,' earned me the 39th Edogawa Ranpo prize. It's a very prestigious literary prize in Japan, mostly for mysteries and thrillers.
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Britain is a textbook case of how growing inequality leads to economic crisis. The years before the crash were marked by a sharp rise in remortgaging and the growth of 0 percent balance transfer credit cards. By 2008 the UK had the highest ratio of household debt to GDP of any major economy.
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Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.
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Being a parent is very important to me.
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Like Jim Crow (and slavery), mass incarceration operates as a tightly networked system of laws, policies, customs, and institutions that operate collectively to ensure the subordinate status of a group defined largely by race.
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So much of what I create has been due to the influence of Miles Davis and Donald Byrd, and so many of those that have passed on. Their music, their legacy lives on with the rest of us because we are so highly influenced by their experience and what they have given us.
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After a short period of agony, I took a great leap forward from copying nature, in a more or less impressionist style, to feeling the content of things.
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I would not have so many scripts being driven by demographics. The play's the thing - not the 18-35 year old male age group.
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I think my generation is obsessed with instant gratification. We want everything now, now, now.
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It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.
