Willard Wigan Quotes
At school I'd want to be so small that nobody could see me, and so my work depicts and reflects me - what it felt like to grow up in a world of pain.

Quotes to Explore
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I have always had a horror and detestation of poverty.
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I do get approached occasionally, but not a ton. I'm unrecognizable because I'm coated in cat hair and sweat. And there's a sort of yeti quality to my presence... so I don't think that people can see the face.
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I mean, I was always interested in people like Lenny Bruce, people who are breaking the old rules and making new ones.
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I don't know how to make Harper and Alloy want me, not just my name.
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I'm an honest, open father.
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I never went to stage school or anything like that. It was always plays, productions at school and things like that. The thing for me with acting was it was the only thing I could fully concentrate on. I loved playing sports. I didn't really love studying.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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If you look at any normal organization, the CEO is the person with the highest E.Q. The person with the highest IQ is often in the back room running the financials or the operations. That's topsy turvy.
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I had formed a black movement, so I would speak for the Trotskyist movement and then walk about a hundred yards to where the black movement was speaking.
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When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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In the Depression we had to divert corn acreage.
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The truth is not a bidimensional thing; it's not flat. It's rounded; it's like a sphere, so there's always a hidden face. There's one that is revealed because there's light reflecting on it, but there's always a hidden one, and once you go around to see the hidden one, it moves, and that's life.
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We say that our objective is to conquer complete independence, to install a people's power, to construct a new society without exploitation, for the benefit of all those who feel themselves to be Mozambicans.
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Writing is the supreme solace.
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War is the continuation of politics by other means.
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I was a confident, outgoing little boy. If you're an only child, you're living in a very linguistically adult world, and you've got to keep up. So I did. Maybe I was slightly annoying.
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Just because we eat together does not mean we eat right: Domino's alone delivers a million pizzas on an average day.
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We need to level the playing field so that people who buy insurance individually at the same tax rates as those who buy it than get it through work. We need to be able to let people to shop across state lines for better deals with insurance that works for them and their family, not something the government says they have to have.
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The United States needs to hold China accountable for its facilitation of North Korea's illicit weapons program instead of rewarding Beijing for complacency.
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I feel like God's given me a gift that I want to steward and share with the world.
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You can think of Hollywood as high school. TV actors are freshmen, comedy actors are maybe juniors, and dramatic actors - they're the cool seniors.
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There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
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At school I'd want to be so small that nobody could see me, and so my work depicts and reflects me - what it felt like to grow up in a world of pain.