Mike Newell Quotes
Quotes to Explore
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I don't understand why every guy is not a romantic. I enjoy it.
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With liberalisation, Indian industry gained international exposure because of which it became imperative for companies to rework their strategies to become globally competitive.
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Valentine's Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.
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It's because of 'ER' that I've gotten the opportunity to get the work.
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I sail, run dogs, ride horses, play professional poker and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.
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You know how you can be romantic? You can be romantic by going to a beautiful setting, sitting on a park bench, and getting good ole-fashioned golden arches, a.k.a. McDonald's. That's probably the best I can do romantically.
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It is only because of problems that we grow mentally and spiritually.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
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I'm always the cousin that can't make it to the family functions because I'm busy.
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At school, I got teased because I was so thin and awkward-looking.
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The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
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All that we see or seem is but a dream within a dream.
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When you start off acting, it does seem very romantic, and the make-believe part of it all seems very exciting. It's only later that you begin to realize how fascinating the work is - that it's a bottomless pit, and you never get to the end of it.
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It is possible for a woman to be a romantic, but also to be single and to be happy.
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Romance is dead - it was acquired in a hostile takeover by Hallmark and Disney, homogenized, and sold off piece by piece.
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I was taunted because I was different.
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I'm a teller of stories. I put bloody skins on my back and dance around the fire, and I say what the hunt was like. It's not erudite; it's not intellectual. I sail, run dogs, ride horses, play professional poker, and tell stories about the stuff I've been through. And I'm still a romantic; I still want Bambi to make it out of the fire.
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I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.
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In terms of the romantic kind of lead, I just never enjoy those movies very much. Maybe they'll come to interest me more as I get older. I doubt it, but maybe. Romantic comedies tend to be, for me, an oxymoron.
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Failure is simply the non-presence of success. But a fiasco is a disaster of mythic proportions.
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I had my guitar and some talent so that I could make friends with intelligent people and could talk my way out of difficult situations.
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The important discovery I made very early is that my novels had to be written without any given plan or outline. I can't do it in any other way. But then they are dependent on the sentences, my intuition, and, as I have experienced many times, the subconscious.
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Romantic comedies are backbreaking to write because they have to be fresh.
