Abraham Foxman Quotes
What have we achieved? ... In his world, in his culture, this is a major step. From our perspective it isn't.

Quotes to Explore
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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I'm lucky in that I don't like sweet things at all. My father loved cakes to such a degree that he kept forcing them down my throat when I was little, and it put me off for life. He had terrible cholesterol, poor thing.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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I hardly ever stretch the canvas before painting.
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Actors make less than you think.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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I was always more interested in story songs, things with a point of view... and things that informed me.
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My grandpa would come in with water and flick it on our faces at 6 A.M. and be like, 'If you don't get up to feed the horses, you don't get to ride them.' We'd get up.
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I have been learning English on the road since I started when I was 15, so it is a slow process but making some progress. Now I think I am much more comfortable with my English. However, it is difficult, still, when I speak about something that is not tennis.
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I like to hike with my dog, Webster. It helps clear my mind.
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How do Ferrari know what I'm doing next year when I don't know what I'm doing next week?
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Once I dive in, I dive in all the way.
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How can a country like Korea, which was not fully prepared for the upcoming era, be as rich as Germany now?
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There is no earthly reason why a solo string instrument or voice, having the possibility to play or sing pure intonation, should want, or try, to be tempered.
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When I'm working, I'm so narrowly focused on sound, language, rhythm, flow, that I rarely feel the emotion of the text. It's only after - long after - I've finished a piece that I can experience in any way its emotional charge.
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I want to write music that's going to appeal to everyone.
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In emerging markets, slow growth in the advanced economies has shut down a traditional development path: export-led growth. As a result, emerging markets have had to rely once again on domestic demand. This is always a difficult task, given the temptation to over-stimulate.
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I've been trying to get cast as a lesbian for years.
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There's not many guys that can pitch at the top of the rotation floating around the league.
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You must prune dead or dying wood.
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The first view of the Earth is magical. It is a very overpowering realization that the Earth is so small. It affected me. I could not get over the notion that in such a small planet, with such a small ribbon of life, so much goes on. It is as if the whole place is sacred.
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I'd never been in a police state. I didn't know what it was. I knew that it was, in the general way that people know that two and two is four, but it had no emotional value for me until I found myself in the middle of it.
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My art gets called political, as opposed to my intending it to be political. I think that's something that happens with black artists or marginalized voices trying to speak truth. Because there are things in the status quo to speak out against, speaking out against them will inherently be political.
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What have we achieved? ... In his world, in his culture, this is a major step. From our perspective it isn't.