Gail Carriger Quotes
I get really flowery and verbose in my adult books, but I don't think I dumb down my Y.A. It's just cleaner and more snappy. And the adult books have multiple points-of-view. In my Y.A., it's always third person from the main character's perspective.
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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You can't have an up without a down, a right without a left, a back without a front - or a happy without a sad.
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My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
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From the consumer perspective, what happened in the U.S. 10 years ago and Europe five years ago is now happening in Russia. People are beginning to understand that e-commerce is easy and safe.
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The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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The Normans came over, lance in hand, burning and trampling down every thing before them, and cutting off the Saxon dynasty and the Saxon nobles at the edge of the sword; but the right of petition remained untouched.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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I'm at the mercy of whatever character comes into my head.
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When you choose your friends, don't be short-changed by choosing personality over character.
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I'm a rational person, and I'm not a method actor. You don't need to call me by my character's name while I'm not shooting.
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I have my own studio down in Miami.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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I'm not a believer in the pratfall. I don't think it's funny just to have someone fall down.
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I believe that a great character can be made in one scene, or a few moments.
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A relationship can give you a gut wrenching feeling sometimes. It's a real emotional ride.
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And don't forget, a prisoner's wife must always think good thoughts.
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I get really flowery and verbose in my adult books, but I don't think I dumb down my Y.A. It's just cleaner and more snappy. And the adult books have multiple points-of-view. In my Y.A., it's always third person from the main character's perspective.
