Adam Fuss Quotes
An echo is a good way to describe the photogram, which is a visual echo of the real object. That’s why I like to work with the photogram, because the contact with what is represented is actual. It’s as if the border between the world and the print is osmotic.
Quotes to Explore
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We have to make their livelihoods viable, get them the proper prices for their produce, try and make them stay rather than sell their property and leave again.
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Real talent shines through regardless of how many others there are around you.
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If I start working on something, I get a little too driven.
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Human beings have a physical need to tell themselves when at work: 'Let’s have done with it now,' and it’s having constantly to go on thinking in the face of this need when philosophizing that makes this work so strenuous.
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You think school ends when it ends, but it doesn't.
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The beggarly last doit.
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I do not know myself how I paint it. I sit down with a white board before the spot that strikes me. I look at what is before my eyes, and say to myself, that white board must become something.
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Study the past if you would define the future. I am not one who was born in the possession of knowledge; I am one who is fond of antiquity, and earnest in seeking it there. Learning without thought is labor lost; thought without learning is perilous.
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Separation penetrates the disappearing person like a pigment and steeps him in gentle radiance.
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Adventures are not all pony-rides in May-sunshine.
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This was a breakout game for Leanne. She really came through when we needed it most.
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France is a country where thinking is supposed to be furtive, invisible, almost clandestine. France is a country of cliques and sects.
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The essential component of being a DJ is setting the mood; it's playing to the context. So that if you're not able to adapt from one context to another, then you're not a DJ.
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Dead battles, like dead generals, hold the military mind in their dead grip.
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There is no grievance that is a fit object of redress by mob law.
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An echo is a good way to describe the photogram, which is a visual echo of the real object. That’s why I like to work with the photogram, because the contact with what is represented is actual. It’s as if the border between the world and the print is osmotic.
