Mikhail Baryshnikov Quotes
I was very restless. I really wanted to be a part of a kind of a progressive society. I was fed up with these Communist doctrines and you were hassled all the time with members of the Party committee who were KGB, what you have to do, where in the West you can go or not to go.

Quotes to Explore
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The metaphor for Palestine is stronger than the Palestine of reality.
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Really, I have to laugh because there was a whole set of stories that made me sound like the Dragon Lady, you know, 'tough this and tough that.' Then there is this business about 'gooey.' The bottom line is I am a pragmatic idealist.
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Pregnancy is a very creative phase for me.
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When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
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One thing you can't intend is how you will be read. I hear it said a lot that my books are about the 'search for identity', and this is said admiringly, as if I meant to encourage such a search.
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The French complain of everything, and always.
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Spiritual relationship is far more precious than physical. Physical relationship divorced from spiritual is body without soul.
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For The Truman Show, I worked for a few weeks, do my gig, then I was done.
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Society tells you that when you're old you have to retire. You have to defy that.
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Even the weakest disputant is made so conceited by what he calls religion, as to think himself wiser than the wisest who think differently from him.
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You lose the speed before the stamina.
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I want to be creative in as many different environments as possible, whether it's doing film scores, writing for TV ads or video games - all sorts of stuff, as long as it requires writing music.
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That's sort of what we wanted to do: conquer from the margins, sort of find our place in the middle based on the fact that we were creatures of the margin and of alienation.
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There's three networks you want to be on: It's either AMC, HBO, or Showtime.
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Journalists ask me, 'Why don't you ever talk about sex in your performances?' True, I don't talk about sex – not in my personal life and not in my professional life. This is modesty.
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The Korean War, which China entered on the side of North Korea, fixed Mao's image in the United States as another unappeasable Communist.
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There's real potency in metal. Metal fans love metal as if it's a nation they would fight for. It's not diluted by pop culture.
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It's sweet that I don't have to do my laundry.
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If I was just a fan of music, I would think that I was the number one artist in the world.
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The Republican Party - that was the end of the Republican Party. What Pete Wilson did with the xenophobia and the negative attitude, all this sort of anti-crime backlash.
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Acting's always felt like a kind of creature that lays dormant and collects observations when I'm not working. And then when I'm actually doing it, it just rises up. But everything I do is more about curiosity and investigation than it is about performance.
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In school I was always being cast as the clown. And then I did 'The Exorcism of Emily Rose,' and once people hear you scream, they can't un-hear it. But I don't mean to say that I've been typecast, either.
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I started making music for fun maybe my senior year in college. I started rapping in high school, but it wasn't anything serious.
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I was very restless. I really wanted to be a part of a kind of a progressive society. I was fed up with these Communist doctrines and you were hassled all the time with members of the Party committee who were KGB, what you have to do, where in the West you can go or not to go.