Mikhail Bulgakov Quotes
Quotes to Explore
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An increase in light gives an increase in darkness.
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My mother, R. Rajalakshmi, taught at Annamalai University in Chidambaram, and during the day, I was well cared for by aunts and grandparents in the usual way of an extended Indian family.
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It is a profound and necessary truth that the deep things in science are not found because they are useful; they were found because it was possible to find them.
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The first show I worked on was 'In Living Color.' I think 'The Daily Show' was the culmination of having that point of view - being able to look at this third rail in our society.
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It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
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I cannot believe that violence depicted onscreen actually causes people to act out violently. That's oversimplifying the issue. If somebody commits a violent act after seeing violence in a movie, I think the question that needs to be asked is: would that person still have committed the act if he had not seen a violent film?
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I've always felt a spiritual connection with acting. And I felt whole when I was onstage.
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Who ever knows what will happen with the economy, and will it affect the Internet? There's so much pouring into the Internet; I would doubt it, but I'm not the greatest predictor. But more than any media sector, I think the Internet will hold up.
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If I hear a lie in my life with my children, with my wife, my work, my audiences, I want to annihilate myself, vaporize myself and wipe myself off the face of the earth.
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I don't plan my roles or my films.
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I don't think that I would always be asked about my feelings about liberal bias in the media if there wasn't any liberal bias in the media. If it was a moot question, then we wouldn't always have the discussion.
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I'm not in charge of judgments in Iran. The judicial system in Iran is an independent body of its own, and it follows the laws, and it must operate according to the law.
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Pebble Beach. It is tough and the lay out is amazing.
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A lot of old guys in movies are like cowboys - they talk like cowboys and they dress like cowboys.
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When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
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I talk about everything. I'm like the person who comes home and can't hide anything. Even my friends sometimes are like, 'Kate, you've got to stop talking so much about your life.' And I'm like, 'Why?' I can't keep things in, really.
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One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole.
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I write songs about things that I'm simultaneously trying to not think about.
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Between the time the last train leaves and the first train arrives, the place changes: it's not the same as in daytime.
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Transformation without work and pain, without suffering, without a sense of loss is just an illusion of true change.
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Sustainable farms are to today's headlong rush toward global destruction what the monasteries were to the Dark Ages: places to preserve human skills and crafts until some semblance of common sense and common purpose returns to the public mind.
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Well, as everyone knows, once witchcraft gets started, there's no stopping it.
