Mikhail Bulgakov Quotes
Quotes to Explore
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An increase in light gives an increase in darkness.
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My mother, R. Rajalakshmi, taught at Annamalai University in Chidambaram, and during the day, I was well cared for by aunts and grandparents in the usual way of an extended Indian family.
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It is a profound and necessary truth that the deep things in science are not found because they are useful; they were found because it was possible to find them.
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The first show I worked on was 'In Living Color.' I think 'The Daily Show' was the culmination of having that point of view - being able to look at this third rail in our society.
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It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
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I cannot believe that violence depicted onscreen actually causes people to act out violently. That's oversimplifying the issue. If somebody commits a violent act after seeing violence in a movie, I think the question that needs to be asked is: would that person still have committed the act if he had not seen a violent film?
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I've always felt a spiritual connection with acting. And I felt whole when I was onstage.
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Who ever knows what will happen with the economy, and will it affect the Internet? There's so much pouring into the Internet; I would doubt it, but I'm not the greatest predictor. But more than any media sector, I think the Internet will hold up.
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If I hear a lie in my life with my children, with my wife, my work, my audiences, I want to annihilate myself, vaporize myself and wipe myself off the face of the earth.
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I don't plan my roles or my films.
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I don't think that I would always be asked about my feelings about liberal bias in the media if there wasn't any liberal bias in the media. If it was a moot question, then we wouldn't always have the discussion.
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I'm not in charge of judgments in Iran. The judicial system in Iran is an independent body of its own, and it follows the laws, and it must operate according to the law.
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Pebble Beach. It is tough and the lay out is amazing.
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A lot of old guys in movies are like cowboys - they talk like cowboys and they dress like cowboys.
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When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
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I talk about everything. I'm like the person who comes home and can't hide anything. Even my friends sometimes are like, 'Kate, you've got to stop talking so much about your life.' And I'm like, 'Why?' I can't keep things in, really.
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One must be entirely sensitive to the structure of the material that one is handling. One must yield to it in tiny details of execution, perhaps the handling of the surface or grain, and one must master it as a whole.
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I write songs about things that I'm simultaneously trying to not think about.
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I stalk about her door, like a strange soul upon the Stygian banks staying for waftage.
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People in my band and in my life see me as someone who is seeking out chaos, and that's why it comes to me. And these people who have never met me say because of when I was born and how the planets are aligned, chaos sees me as a portal.
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There's nothing in the world like the devotion of a married woman. It's a thing no married man knows anything about.
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I did learn what I didn't know I wanted to know.
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When I first started writing songs, I was probably about ten or twelve years old, and the first thing you think as a songwriter is, 'Can this be a hit? Can this come out, and people are going to hear the song and like the song, and then they're going to like you, and you'll get famous and rich?' That hasn't changed a bit.
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Well, as everyone knows, once witchcraft gets started, there's no stopping it.
