Nancy Spero Quotes
When I showed ‘Black and the Red III’ in Malmö, Sweden, it was a continuum - a band - all around the galleryseeing this huge space in the gallery in Malmö, I just took a deep breath and I put the paper around in a single band. Then I continued along, printing on the wall like a trompe l’oeil to reiterate the images in the work printed on paper that I had push-pinned to the wall. I literally took the rhythm and the images from ‘Black and the Red III’ and continued that on the wall.
Quotes to Explore
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In social media, people cannot build big followings organically unless what they are putting out to the world has value.
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I have big hands – I wear either a XXXL or XXL glove. I have a 6-8 wingspan on a 5-11 body – I can dunk. My wingspan allows me to do a lot of things that other people at my height might not be able to do.
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Civilisation is not by any means an easy thing to attain to. There are only two ways by which man can reach it. One is by being cultured, the other by being corrupt.
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We need hot, dry weather. Upper Valley and New Mexico farmers were not hit as bad with the rainy weather as the cotton farmers in the Lower Valley, but we're (also) having trouble getting equipment in the fields.
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Carrying arms for the removal of the Arms Act can never fall under any scheme of nonviolence.
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Yea from the table of my memory I'll wipe away all trivial fond records.
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There are people who think I'm a Bolshevik, and this is all a major distraction at best and heresy at worst. But I really don't care.
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I'm such a tease And you're such a flirt... Routines and schedules Drug and kill you Kill you.
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I don't want the world to give me anything for my books except money enough to save me from the temptation to write only for money.
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So enormous, so dreadful, so irremediable did the [slave] trade's wickedness appear that my own mind was completely made up for abolition. Let the consequences be what they would: I from this time determined that I would never rest until I had effected its abolition.
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Brave men don't belong to any one country. I respect bravery wherever I see it.
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I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
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It really helps to take a breath and think about what you really want to do out there.
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When I showed ‘Black and the Red III’ in Malmö, Sweden, it was a continuum - a band - all around the galleryseeing this huge space in the gallery in Malmö, I just took a deep breath and I put the paper around in a single band. Then I continued along, printing on the wall like a trompe l’oeil to reiterate the images in the work printed on paper that I had push-pinned to the wall. I literally took the rhythm and the images from ‘Black and the Red III’ and continued that on the wall.
