Adria Petty Quotes
Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.
Quotes to Explore
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When readers close the covers on 'Running the Rift,' I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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I never want to write a book just to tell a story. There is always something deeper going on.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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I worked in the story department for years on 'Cars' and 'Toy Story 3.'
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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For me, clothing is nothing without the story behind it. Everything I own evokes some kind of memory.
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Certain of Poe's tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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I will not go into a story unprepared. I will do my homework, and that's something I learned at an early age.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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When everyone around you is doing all this incredible pirate acting and you're having to sort of play the straight guy and move the story forward, you kind of want to be doing some of that pirate ripping it up stuff, but in truth, to be a part of that project is what I love.
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He had become a character in a play, same story, over and over.
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To wait is not to sit with folded hands, but to learn to do what we are told.
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Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.
