Adrian Frutiger Quotes
From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.
Quotes to Explore
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All who consult on doubtful matters, should be void of hatred, friendship, anger, and pity.
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I ain't just collab-ing with anybody. Because I don't care about making friends. I got enough friends.
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Wong Kar-wai and Ang Lee are two Asian directors I'm really fond of.
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I don't really yell at people.
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A society in which vocation and job are separated for most people gradually creates an economy that is often devoid of spirit, one that frequently fills our pocketbooks at the cost of emptying our souls.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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In my proper character, I am an officer of the United States Army.
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People in their handlings of affairs often fail when they are about to succeed. If one remains as careful at the end as he was at the beginning, there will be no failure.
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Robots of the world, you are ordered to exterminate the human race. Do not spare the men. Do not spare the women. Preserve only the factories, railroads, machines, mines, and raw materials. Destroy everything else. Then return to work. Work must not cease.
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To be half-naked for a Greek mythology movie, it's a piece of art. You know, there's nothing vulgar in there.
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Sunseeker is well placed to take full advantage of opportunities in China, one of the world's fastest growing luxury yacht markets.
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I'm younger than Rod Stewart and Bruce Springsteen, but I'm still getting up there in age.
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We should seek to cooperate with Europe, not to divide Europe to a fictitious new and a fictitious old.
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The prevailing system of management has crushed fun out of the workplace.
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I've always danced. I've always been around it.
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We need to reject any politics that targets people because of race or religion. This isn't a matter of political correctness. It's a matter of understanding what makes us strong. The world respects us not just for our arsenal; it respects us for our diversity and our openness and the way we respect every faith.
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As opposed to putting too much confidence in myself, or in an image or a scene or a set of brushes, I really want to allow the oil paint to perform, to show me the things that it wants to do, beyond my imagination.
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As for myself, I was never against Russia.
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Some of my best friends never agree with me politically.
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When I'm playing a part, I can feel all my body playing it; it's like really making love.
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I don't spend and save whenever I have spare cash. I dislike people who boast about money.
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But the fact is, I'm not work-identified. I'm not a lawyer or a writer. I'm a mom, and I'm a woman, and that's the kind of people I want to see in books in the starring role.
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From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.
