Ira Glass Quotes
Honestly, I am so ignorant of how dance works that I can't even imagine a story that you would want to tell through movement.
Quotes to Explore
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My first vocation was dance.
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Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Every story I create, creates me. I write to create myself.
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I am as passionate about the England team as anyone.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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If you and I had a relationship, and I like to dance and you don't, will that affect our relationship? If I push you and push you, maybe you'll learn to dance, but more likely, that will move you away from me.
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In the education of the American people, I am Recess.
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I have seen periods of progress followed by reaction. I have seen the hopes and aspirations of Negroes rise during World War II, only to be smashed during the Eisenhower years. I am seeing the victories of the Kennedy and Johnson Administrations destroyed by Richard Nixon.
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I also read modern novels - I have just had to read 60 as I am one of the judges for the Orange Fiction Prize.
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I am bullish on the global development. I am bullish on billions of people getting out of poverty.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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Rock was always part of my heart and soul. But the times just changed and everybody wanted to dance.
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People assume that because I'm a great athlete, I can dance. But no. My rhythm is off a little bit.
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I was in college in the '60s, and the whole feminist movement had swept me up.
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For a long time, I couldn't actually deal with playing concerts; it was a totally alien concept to me, 'cause I was used to playing in clubs and dance halls.
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I prance around and dance by myself to hip-hop songs in the mirror.
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What I'm trying to do is make the camera-work lyrical rather than fragmentary. It's a dance between the camera and the actors.
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The most important thing is to stay positive.
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Honestly, I am so ignorant of how dance works that I can't even imagine a story that you would want to tell through movement.
