Adrian Marcel (Adrian Marcel Hutton) Quotes
Every time I hit the stage I try to take something from it. There are a lot of shows and opportunities to be seen like that. I like to just take all of them and allow them to help me build.
Quotes to Explore
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A little bit of stage fright, then I'm ready.
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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It's an unfair comparison because when things are developed in the UK, they're developed at script stage only.
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I don't take on big things. What I do, pretty much, is make the big things small and the small things big.
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We do not take away the powers of surveillance. We do not take away the right and the power of the government to go after those who would do us wrong.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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When I'm on stage, I'm quite over the top - I'm quite flamboyant and camp.
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Mutineer is the first album of mine without a demo stage.
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Don't take anything from me because I'll track it down.
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The laws and the stage, both are a form of exhibitionism.
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I have decided that I won't take up assignments that don't interest me.
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I found it hard being a full-time mum and take my hat off to anyone who can do it.
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I've been on stage since I was eight.
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A vacation is what you take when you can no longer take what you've been taking.
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I wouldn't mind going half naked on stage, if that is what my role demands.
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I never wanted to look pretty on stage and sing about something we've all heard about before.
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I am always scared before going on stage; this is the fear which makes me do well.
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Exhibitions usually are not collected; they disperse after they take place.
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I take big risks, but I'm not reckless about it.
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My CIA colleagues were smart, dedicated, funny, and creative. Yes, there was sometimes stifling bureaucracy, boredom, colleagues who never should have been there, and later, deeply disturbing stories of the CIA's involvement in torture. Still, I got to do work I thought was incredibly important and, many times, had fun doing it.
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Temperament is something that is an integral part of the artist. Not temper, temperament. There is a vast difference.
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Every time I hit the stage I try to take something from it. There are a lot of shows and opportunities to be seen like that. I like to just take all of them and allow them to help me build.
