Mila Kunis Quotes
I showed sideboob. I don't need to show ass. You get one or the other. You don't get both.
Quotes to Explore
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I dare anybody to look at me and say I'm anorexic. I'm so totally not.
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With The Key, it was, I had gone through a divorce and losing my father, and just kinda really reminiscing about how much I loved the traditional side of country music, so I made a record that was really traditional from start to finish.
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I think I view the system the same way that Ayn Rand views the system - that it really oppresses those that create, if you will, and tries to take away from those that produce and give to the non-producers.
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Middle English is an exciting field - almost uncharted, I begin to think, because as soon as one turns detailed personal attention on to any little corner of it, the received notions and ideas seem to crumple up and fall to pieces - as far as language goes, at any rate.
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I invested all my money in debt.
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The other thing about FEMA, my understanding is that it was supposed to move into the Department of Homeland Security... and be what it was, but also having a lot of lateral communication with all those others involved in that issue of homeland security.
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The transition between life in red-state America and life in the Arab capital was at times overwhelming because of the traditional segregation of men and women in many public and private settings.
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In fashion design, you can divide people into two groups. You have people who come with an aesthetic that is there forever, even if it evolves. Then you have people I call 'jumpers.' One season it can be this; the next season it's completely something else. I always knew I am more of a jumper.
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We have a constitutional republic, not a democracy.
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Socially, the Cuban revolution created an education system and health service that remain the envy of much of the neo-liberal world.
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If you're a boxer, you have your trainer. As an actor, I have Ivana Chubbuck. She's my teacher as an actress and in this crazy thing called life.
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A phrase begins life as a literary expression; its felicity leads to its lazy repetition; and repetition soon establishes it as a legal formula, undiscriminatingly used to express different and sometimes contradictory ideas.
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I had applied for a job at Imperial Chemical Industries in 1948 and was called for a personal interview. However I failed to get selected. Many years later, I succeeded in finding out why I had been rejected. The remarks written by the selectors on my application were: 'This woman is headstrong, obstinate and dangerously self-opinionated!'
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A career is like a house: it's made of many bricks, and each brick has the same value, because without any one of them, the house would collapse.
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Being faithful in that which is another man's qualifies us to receive our own.
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The difference between a tool and a machine is not capable of very precise distinction; nor is it necessary, in a popular explanation of those terms, to limit very strictly their acceptation.
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One of the pitfalls of a romantic comedy is that you know how it's going to end.
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In swimming at my level it's about control of the small movements. A good ballet dancer floats across the stage, the best sprinters virtually abolish gravity. All motion occurs in the right direction.
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There's something liberating about watching someone not following the rules.
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What's similar between Britain and America is the lack of good-quality civic buildings.
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A brilliant inquiry into the contemporary Iranian predicament and what it means for the world. At a time when all too many of our leading thinkers are mired in the weeds of provincialism and narrow ideological wars, Postel has written a work of grace, intelligence, and towering integrity. Reading 'Legitimation Crisis' in Tehran is nothing less than a masterpiece of moral and political criticism.
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I prefer drawing the things I've written to handing them off to another artist. Turns out I'm a huge control freak - and because I write in thumbnails, the art is already happening by the time I start writing!
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I showed sideboob. I don't need to show ass. You get one or the other. You don't get both.
