Agustin Fernandez Mallo Quotes
When I use the term "complex realism", what I'm suggesting is that the writer must be realist, always realist, but not realist in the sense we have usually used the term in literature. If reality today is different from the reality of 30 years ago, we can't keep describing reality in the same way as we did 30 years ago.
Quotes to Explore
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Any form of art is political if you make it that way.
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I'm not a celebrity trainer. I don't have my own line of DVDs, but I'm a fighter and have everything to prove.
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Republicans are for both the man and the dollar, but in case of conflict the man before the dollar.
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Bad laws are the worst sort of tyranny.
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I don't drink tea or coffee. I'm like a child: I like fruit juices and sodas and creamy hot chocolate.
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I cannot abide being bored.
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It is easier for a man to be loyal to his club than to his planet; the bylaws are shorter, and he is personally acquainted with the other members.
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When people get rich, they cut themselves off from the context that has earned them these riches - the context of the common men. They forget they are part of society.
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The world is getting to be such a dangerous place, a man is lucky to get out of it alive.
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The thing is that pictures are everywhere. The question is what we don't see, and why don't we see so much. I just see it.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
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When women criticized men, I called it 'insight'... When men criticized women, I called it 'sexism' and 'backlash.'
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Once you achieve a level of success... you learn, something tells you, 'Man this ain't even for you.' You got to share with the people. You got to inspire the people.
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The bigger we get, I think the more it's changing things, which is great, but we didn't set out to do that. We just wanted to be as big as we possibly could be.
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Make no mistake, adolescence is a war. No one gets out unscathed.
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I meet kids now who become novelists, poets, write for the theater and movies, who were simply inspired by what they saw during the Spoleto Festival.
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I don't know many South Africans who don't have their eyes wide open to what it's like to be exposed to some sort of violence. The question is whether we choose to be cynical about it or not.
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People can be so neglectful of each other and of their own heritage - then death intrudes. Conversations we wish that we'd had earlier are had too late.
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The people in the West are supposed to believe that Bahrain is a country whose people live a life of peace, but we suffer under a regime that does not want to hear our screaming. The people of more than 20 villages are participating in the protests. They are fed up with the fact that they cannot express their opinions freely.
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Now we sit through Shakespeare in order to recognize the quotations.
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A small but brilliant advance made today by someone’s awareness may for the moment reach a very small audience, but insofar as it’s valid and beautiful, it will make its way and become part of the whole world of consciousness. So in that sense it’s all working toward this huge audience, and all working toward a better man.
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The designs were based on quite a lot of research of what a movie musical is, filtered through the eyes of today. If we'd gone strictly with the '20s, the movement would have been impaired.
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The culture of any country is gauged first by its progress in art.
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When I use the term "complex realism", what I'm suggesting is that the writer must be realist, always realist, but not realist in the sense we have usually used the term in literature. If reality today is different from the reality of 30 years ago, we can't keep describing reality in the same way as we did 30 years ago.
