Aisling Loftus Quotes
I think the performances that really communicate with me are the ones where I don't feel like I'm watching someone and thinking: "They're doing some really good acting." It's when I'm literally completely consumed by the story-telling and the actor or actress is evoking something in me. I think that's so powerful and cinema and TV has so much power.
Quotes to Explore
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'Breaking Bad' was such a high plateau.
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When I'm in the studio, I don't finish the song and say, 'That's going to be a big ringtone.'
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It's a massive consumer frustration around the world about how long they have to wait after the U.S. to see television shows and movies. In the U.S., there's the frustration of having to wait a year to watch a movie in the format that you choose.
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The novel moves like all the arts. It's transforming itself all the time.
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I'll tell you why I like writing: it's just jumping into a pool. I get myself into a kind of trance. I engage the world, but it's also wonderful to just escape. I try to find the purities out of the confusion. It's pretty old-fashioned, but it's fun.
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I love the idea of thinking of cinema as not that far from music. A lot of my favourite movie makers, the way they move their cameras or the way they cut just feel very musical - even if the movies have no music in them at all.
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3D prefers you to use wider lenses because when things are out of focus, and yet it's in 3D, it bothers you.
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Religious ideas about good and evil tend to focus on how to achieve well-being in the next life, and this makes them terrible guides to securing it in this one. Of course, there are a few gems to be found in every religious tradition, but insofar as these precepts are wise and useful they are not, in principle, religious.
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I think it's time we all agree that gender stereotypes are simply the confabulation of our own mind.
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Salesmen always need something to sell.
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I don't have business with any politicians.
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Freedom is absolutely necessary for the progress in science and the liberal arts.
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I like what it is to sing, or to be with the others singing, to make music, but the fuss and all the things that are the exterior part of a career, has never interested me.
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The happy story right now is the full page in Vanity Fair, which gives me a great deal of exposure.
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And it just made me realize again because I have know it for some time, that you never get comfortable in this. No matter who you are. No matter who... how successful you are.
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My own pregnancies were all about me, me, me. My aches, my pains, my swollen feet, and my body that looked like the Michelin Man.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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We were like psychedelic folk combined with Sonic Youth's noise.
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So from an actor's perspective, you really have no idea how you're acting.
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I'm shy, but not on a one-to-one basis. Over the years, I have become acclimatised to a bit of publicity.
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The fact that the author thinks slowly is not serious, but the fact that he publishes faster than he thinks is inexcusable.
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I grew up with horses when I was a kid in Argentina. I like them. I respect them. I'm careful around them. You never know what they're going to do. They're endlessly interesting. I've had some good acting partners that were horses over the years.
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It's our machines and our technologies that are now the major evolutionary forces acting upon us. It's not our political systems.
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I think the performances that really communicate with me are the ones where I don't feel like I'm watching someone and thinking: "They're doing some really good acting." It's when I'm literally completely consumed by the story-telling and the actor or actress is evoking something in me. I think that's so powerful and cinema and TV has so much power.
