William Gibson Quotes
I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
Quotes to Explore
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Our music doesn't make many compromises, but we take it into a venue that's larger than people expect.
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I think everyone who goes to see a 'Bond' movie expects to be impressed by the look and the locations chosen. Certainly I was when I grew up watching them, and I don't think that's changed in the last 50 years.
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I don't do grey. I like my colour, my style.
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There is surely nothing other than the single purpose of the present moment. A man's whole life is a succession of moment after moment. If one fully understands the present moment, there will be nothing else to do, and nothing else to pursue. Live being true to the single purpose of the moment.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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We have to surmount the difficulties that face us and work steadfastly for the happiness and prosperity of our country.
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The colonel replied that he didn't care how my men had got the job done. He was happy that it had been accomplished. He said that, obviously, no matter how much or how little I knew technically, I was able to get the best out of people I worked with.
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After having children, life becomes about living beyond yourself; about being bigger and better.
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The usual fortune of complaint is to excite contempt more than pity.
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I take my kids to school... I make them breakfast. Unfortunately, dad is a big spoiler, and most days, I make four different breakfasts.
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The great sadness of my life is that I never achieved the hour newscast, which would not have been twice as good as the half-hour newscast, but many times as good.
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I was often told that I wasn't a thing. 'She's not pretty enough. She's not tall enough. She's not thin enough. She's not fat enough.' I thought, 'O.K., someday you're going to be looking for someone not, not, not, not, and there I'll be.'
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It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
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I spent a lot of time doing things other people wanted me to do, so I'm doing what I want to do now.
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Skiffle was a name that was attached to what was, in essence, American folk music with a beat.
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When people get things for free, they tend to not take them as seriously.
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I am so clever that sometimes I don't understand a single word of what I am saying.
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Music is my heart, but I see television and more movies in the next stage of my life.
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It's no secret that we were sticking just about every nickel we had on the chance that people would really be interested in something totally new and unique in the field of entertainment.
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I really enjoy the challenge of adapting.
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The only people left in America who seem not to be artists are illustrators.
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A name is a solemn thing.
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I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
