M.I.A. Quotes
It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
Quotes to Explore
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I've been married over 50 years of my life.
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I'm a mother of three. I don't really have the time to put very elaborate outfits together, so I keep it casual but dress it up with shoes, a bag, and jewellery.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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People should know what they want, not just what they don't want.
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You don't just throw the ball - you propel it.
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Our children and grandchildren are not going to have the same standard of living unless we educate that workforce.
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Working with people from all walks of life, from full-time moms to CEOs at large companies, I've distilled many universal truths about success. There's a secret I've learned that works quite well at helping you to achieve what you want: Decide what you want.
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Shakespeare's villains are fabulous because none of them know that they are villains. Well, sometimes they do.
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Buying a matching blouse and skirt from the same store is a crime. A clever mix of chic and cheap hits the jackpot. Know how to mix styles and labels.
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I lost 'The X Factor,' and I lost 'Deal or No Deal' twice. I'm good at losing game shows.
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I watch a lot of home stuff; I like seeing things go from one thing to another and get fixed up.
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A system that was originally designed to support the poorest in society is now trapping them in the very condition it was supposed to alleviate.
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Hungary is, in a word, in a state of WAR against the Hapsburg dynasty, a war of legitimate defence, by which alone it can ever regain independence and freedom.
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Love is the triumph of imagination over intelligence.
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Families are families. We've all got them, more or less, and we all know what it's like to be bullied by another generation.
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I was the youngest and on my own a lot. I think this probably taught me independence and how to be okay with my own company. Also, it meant I read a lot.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I prefer doing interviews where people don't have to interpret what you say. I'm going to be real honest.
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I developed 'Power: From the Mouths of the Occupied' while I was an Artist in Residence at Kalamazoo College.
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Everybody has a different definition of the good side.
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Modeling isn't all that tough.
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Be real with yourself in whatever area of your life and your game that you need improvement on. Once you figure that out, you just have to go out and work on it. For me, it's footwork. I constantly work on it, and it's a never-ending process.
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When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Phil Hartman's case.
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It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
