Alaa Al Aswany Quotes
The concept of the benevolent dictator, just like the concepts of the noble thief or the honest whore, is no more than a meaningless fantasy.
Quotes to Explore
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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Society exists only as a mental concept; in the real world there are only individuals.
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When you consider the concept of vampirism, it is inherently part of a Western culture.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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With epic fantasy, there is a tendency for it to be quintessentially conservative in that its job is to restore what is perceived to be out of whack.
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I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
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I love the concept of community energy.
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I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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The whole concept of the devil is a metaphor on one level.
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Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
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When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
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No dictator, no invader, can hold an imprisoned population by force of arms forever.
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I do not find the concept of consorting with unknown persons appealing.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
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Theatricality is a concept. It's not a specific language.
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The blurring of fantasy and reality is something that the Japanese herald in their life, in their day-to-day commercialism.
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I want the pleasures of the real exploitation movie, and exploitation has changed so much in 40 years. Plenty of people grow up with this fantasy of, "We're going to do it like Roger Corman did it," as that sounds so fun. If you make something small, goofy and exploitative, it's nowhere near the guaranteed moneymaker it might have been 40 years ago. If you look at the way the world works now and money is made, it doesn't seem that fun. Maybe that's just a mental block I have and I need to get over that and find that corner where you can make money and still have a good movie.
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We are all several different people. There are different aspects of our nature that are competing.
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That nation is great which rests its head upon death as its pillow.
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Acting never crossed my mind for a moment when I was growing up.
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We must be an inclusive nation that respects and supports all of its citizens: a nation that doesn't give up on anyone who hasn't given up on themselves.
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The concept of the benevolent dictator, just like the concepts of the noble thief or the honest whore, is no more than a meaningless fantasy.
