William Hurt Quotes
The art is about opening, it is not about prejudice, it is not about contempt prior to investigation. It's about endlessly trying to keep from having contempt by admitting that you don't know. Even if you know a lot compared to some other people, usually, I think, the honest experience would be: "God, how little I know! And how much I need to have compassion for myself and for other people."
Quotes to Explore
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I'm not as goal obsessed as I am process obsessed.
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My experience growing up in a rough and tumble town in the blue-collar world of Western Pennsylvania in the 1970s was that anything a man did was always more important than anything a woman did.
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I weighed 25 stone, and I didn't stand nine feet tall, so the weight didn't sit well on me. As big as a house? No. I was as big as an estate.
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You'd believe that a patient with hypertension, if you know you have hypertension or diabetes, you would take your drug every day. The compliance rate is more like 30% or 40%. Which means that 60% of patients don't take their drugs, and they actually go into these crises, end up in the hospital.
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When I won the belt, it was kind of a precedent... The only Canadian to have ever held it.
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I'm addicted to food, so if you bring the cake and stuff to my house, I might walk by and take a swipe of icing and keep it moving. So what happens is I try to not keep it around.
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What you want to do, particularly when you're dealing with a professional sports league and franchises and people's passionate commitment to the game and for the team they root for is, it has to be sustainable.
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I'm the Chris Martin of hip-hop.
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In life go straight and turn right.
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Marc if you want me to go to the bottom of the pool, I'll go there.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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I have two children who died before reaching 30, so who am I to complain about being alive?
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Fear was absolutely necessary. Without it, I would have been scared to death.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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I spend days with writers' block. It is a problem.
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Nothing I have done professionally will top the feeling I got when singing with John Farnham at the 2000 Olympic Games in Sydney.
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I am just a plain Jew; I mean have no training.
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Most people thought we would remain in the ghetto until the end of the war, until the arrival of the Red Army. Afterward everything would be as before. The ghetto was ruled by neither German nor Jew; it was ruled by delusion.
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The cinema should be human and be part of people's lives; it should focus on ordinary existences in sometimes extraordinary situations and places. That is what really motivates me.
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Going from Flip to Kev, obviously you don't want to see someone ever lose their job. For me it's probably a little more difficult, because other than Bill Blair, Flip is all I knew.
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Surely if we have learned anything from the history of morals it is that the thing to do with a moral quandary is not to hide it.
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I'm going to keep thinking about topping myself every time. I can say very confidently that Alice In Chains have done that on every record. It surprises me. I don't go in there expecting that, but I do go in there hoping for it.
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The art is about opening, it is not about prejudice, it is not about contempt prior to investigation. It's about endlessly trying to keep from having contempt by admitting that you don't know. Even if you know a lot compared to some other people, usually, I think, the honest experience would be: "God, how little I know! And how much I need to have compassion for myself and for other people."
