Alan Light Quotes
After the Beatles and Dylan, there's this assumption that you are a singer-songwriter, or that if someone else is writing your rhymes, you're a fake rapper.
Quotes to Explore
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It takes me a long time writing books. It takes me about five years to write a book, and when I'm done, the last thing I want to do is to do it again.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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I actually run a non-profit where one of the main objectives is to branch out and get a new audience for the theater. Just because the writing is so good and nothing is more effective than seeing something live and happening right in front of your face, so I definitely want to continue to pursue that.
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The ego being shattered is not what frightens me - that can be useful for writing - but the ego being inflated is sort of like it dying of gout.
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It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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The morning is always my best time of the day for writing because that's when my head is best.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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Writing is a form of licensed madness.
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First off, I could never become a doctor. Blood? Even the fake blood on 'American Horror Story,' I'm kind of ready to hurl.
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The Ewoks were definitely a challenge of writing 'The Jedi Doth Return.' After having done so many things with characters who don't speak English, how was I going to make them stand out? Jedi is also rich with emotional material, particularly Darth Vader's transformation from the dark side back to the good.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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The only sensible ends of literature are, first, the pleasurable toil of writing; second, the gratification of one's family and friends; and lastly, the solid cash.
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I could tell it was a popular move as a writer to walk down the bass lines while you were writing a song.
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The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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Writing for the theatre is so different to writing for anything else. Because what you write is eventually going to be spoken. That's why I think so many really powerful novelists can't write a play - because they don't understand that it's spoken - that it hits the air. They don't get that.
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I started writing short stories. I tried writing horror, mystery, science fiction. I joined a little critique group here in town and ran my stories past them. After about three years, I tackled my first novel, Subterranean. It took me 11 months to write.
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If I wrote in Michael Harrington's time, roughly 50 years later when he published 'The Other America', I'd still be writing about poverty and also entrenched racial injustice.
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I have this thing about my own voice on record. No matter what I sing, it sounds really serious, and I sound self loathing or whatever, which was just driving me nuts because that's not what I was writing.
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You must stay drunk on writing so reality cannot destroy you.
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Obama's view of the tax code is inherently political: Whom can we hit next? Energy companies, jet owners, bankers? Instead, the question should be how to promote economic efficiency by raising revenue without trying to manipulate corporate or personal behavior.
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I think this is a moment of a lot of possibilities, and openings. Occupy and the 99% movement are really going to break through, and we are going to create a new economy, an economy that we need that works for everyone. Where everyone works, everyone counts and everyone contributes.
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I was watching tennis on TV, and between games, they were showing a commercial for a tennis school. I wrote down the number, gave it to my mom, and said, 'This is what I want to do.' She thought it was a joke, but I was very stubborn, and I kept bringing it up.
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After the Beatles and Dylan, there's this assumption that you are a singer-songwriter, or that if someone else is writing your rhymes, you're a fake rapper.
