Nancy Paine Stoll (Mink Stole) Quotes
Quotes to Explore
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When I lead essay workshops, I ask students to come up with at least five topics, which they'll narrow down to one. The winning idea should be the story the student is most excited to tell because it honestly reflects his or her best self.
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Conformity is dangerous.
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I think if you talk to my colleagues, I was less than a fearsome individual.
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My parents have been with me every step of the way.
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Lesser artists borrow, great artists steal.
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One who works for his own profit is likely to work hard. One who works for the use of others, without profit to himself, is likely not to work any harder than he must.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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Telling us to obey instinct is like telling us to obey 'people.' People say different things: so do instincts. Our instincts are at war... Each instinct, if you listen to it, will claim to be gratified at the expense of the rest.
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The first English settlers of North America knew they were making history. New Englanders in particular were so sure of it that they started writing their own accounts of themselves as soon as they got here.
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My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!
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You won't find me in a romantic comedy. Those movies don't speak to me. People don't come to talk to me about those scripts, because they probably think I'm this dark, twisted, miserable person.
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The Arab awakening was driven by youth, organized by technology, and fired by a hunger for political change.
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It would be a sad story to get rid of religious belief, national identity, family, and even sexual identity. That's not freedom.
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Opera in English is, in the main, just about as sensible as baseball in Italian.
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I can never really enjoy being famous.
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I hate to travel with stuff.
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The Indian story has never been written. Maybe I am the man to do it.
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Having learnt my basics in theatre, I always feel film is a collaborative effort. If you do your part well and help the person in front of you in realising his or her potential, the film invariably comes out good.
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I always forgive, but I never forget.
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I discovered writing children's books was a way to keep living in my imagination like a child. So I wrote a number of books before I started 'Magic Tree House.' Then, once I got that, I never looked back because I could be somewhere different in every single book.
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My son, George, has been a bad, bad boy! Right, George?
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The first glimpse I had of what Mario Batali's friends had described to me as the 'myth of Mario' was on a cold Saturday night in January 2002, when I invited him to a birthday dinner.
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I had often joked in my speeches that I had imaginary conversations with Mrs. Roosevelt to solicit her advice on a range of subjects. It's actually a useful mental exercise to help analyze problems, provided you choose the right person to visualize. Eleanor Roosevelt was ideal.
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Children would only get in the way of our erotic lifestyle!
