Minnie Maddern Fiske Quotes
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
Quotes to Explore
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I'm the kind of girl who thinks about what she's gonna cook for dinner when she's finishing her lunch.
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Cafe De Flore speaks of love, its joys, its pains and its dramas - to love and to lose. This story upset me, I was upside-down, in the depths of myself.
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In midlife, we're as dumb as we get.
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When I was probably 5 or 6, my mother put me into an acting, singing, and dancing class.
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The little trouble in the world that is not due to love is due to friendship.
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A lot of people work out to be skinny. That's so boring, and it seems like a depressing goal for a modern woman.
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The West should be tougher on Pakistan. It is trying to play both ends against the middle - to look like the friend of the revolutionaries on the one hand and a friend of the West in the fight against terrorism. It can't be both things.
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Being talked about like a package - I feel like that all the time.
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Sometimes you'll see people give performances in comedy with an ironic detachment where they'll sort of be remarking on the character from outside of it. They're sort of commenting as they're playing the character. I think it's hard not to do that. I've certainly done that.
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You step over the threshold of your parents' home, and you're instantly transported back to your childhood. It's like time travel. You revert at once to a place of arrested development.
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That's what really motivates me: to make my coaches proud, my teammates proud, and the fans proud.
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I guess I compete in everything I do, but it's always good to get out and be active and find an outlet for all of that pent-up aggression you had as an athlete.
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Clowns drink to blot out the ravages of terrifying children for a living.
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Even if you have a bad game, you have to swallow your pride and sign. It takes a little time, but it makes the kids happy. And it makes you feel good, too.
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When I started performing, I decided that if in five years I couldn't earn as much money acting as I could as a teacher, it would be unrealistic for me to continue on the stage.
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If I could play football, I'd play football. But not women's football - real football. Or I'd just date a quarterback.
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Happiness is a real, objective phenomenon, scientifically verifiable. That means people and whole societies can now be measured over time and compared accurately with one another. Causes and cures for unhappiness can be quantified.
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It's hard when you have a lot of naysayers to know when they might be right or when to ignore them and go with your gut and do something that may seem risky.
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I decided to write 'True Refuge' during a major dive in my own health. Diagnosed with a genetic disease that affected my mobility, I faced tremendous fear and grief about losing the fitness and physical freedom I loved.
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Art was carrying me a lot of the time. When you're accustomed to playing with Art, and you play with other drummers, it's as if the bottom dropped out.
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Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.
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It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
