Mira Sorvino Quotes
That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
Quotes to Explore
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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I don't know how people recognize me.
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I say I haven't lost my religion. I've lost my ideology.
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I'm into menswear slacks that are comfortable.
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Court TV will always hold a special place in my heart, and I will always look back at my time there with great gratitude and affection.
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Oh God, I don't know if I ever really felt beautiful. I don't, really.
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I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.
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Just making the crowd laugh is not really doing things for me anymore. That's just knowing how to kill; I've learned how to kill – but also learned when a crowd's laughter is meaningful.
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I'm always challenged by someone.
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For me to be as effective as possible, I intend to sharpen those skills I need to successfully lead an organization that is growing in size and complexity with each passing year.
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It's every boy's dream to play a superhero.
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On the tour we get a case of beer on the bus every day from Ozzfest.
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I failed chemistry. I almost failed algebra.
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I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange.
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I didn't have cable television growing up; there were only six channels you could watch then. The only really good channel was channel 10, and they would play 'The Nanny Called Fran' every night for years. I've seen every episode 100 times. I would get my Grandma to make me leopard skin dresses on her sewing machine.
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I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.
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If I didn't write, I'd be like a duvet cover; I have no other marketable skills.
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Like De Niro. He's one of the best character actors we have ever had.
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They'd better be physically tough when they start pulling on their football pants.
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Most of my confidence came from being with ladies, because I certainly wasn't getting any acting jobs.
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When you do a half-hour show, there's only so much you can do. At best, you're going to get a character with two-and-a-half dimensions.
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Growing up, you tended to just go through school to get out, then figure out what you want to do in this big ball of mud.
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I have never retired - I have averaged 40 working weeks a year since 1933.
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That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
