Mira Sorvino Quotes
That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
Quotes to Explore
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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I say I haven't lost my religion. I've lost my ideology.
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I'm into menswear slacks that are comfortable.
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Oh God, I don't know if I ever really felt beautiful. I don't, really.
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I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.
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Just making the crowd laugh is not really doing things for me anymore. That's just knowing how to kill; I've learned how to kill – but also learned when a crowd's laughter is meaningful.
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I'm always challenged by someone.
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For me to be as effective as possible, I intend to sharpen those skills I need to successfully lead an organization that is growing in size and complexity with each passing year.
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It's every boy's dream to play a superhero.
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On the tour we get a case of beer on the bus every day from Ozzfest.
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I had started writing as a poet in a closed, post-Revival, claustrophobic world, where the shadows of the national upheaval and the intense effort - the intense self-conscious effort - to make a literary movement were still evident. Now we lived a life as writers that was more cosmopolitan, more open, that had more travel and exchange.
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I didn't have cable television growing up; there were only six channels you could watch then. The only really good channel was channel 10, and they would play 'The Nanny Called Fran' every night for years. I've seen every episode 100 times. I would get my Grandma to make me leopard skin dresses on her sewing machine.
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I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.
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If I didn't write, I'd be like a duvet cover; I have no other marketable skills.
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Like De Niro. He's one of the best character actors we have ever had.
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They'd better be physically tough when they start pulling on their football pants.
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The reason Wilde did his best work after turning homosexual is that women simply reinforced his own feminine sentimentality. … Heterosexuality inhibited his imagination because woman is physically and psychologically internal.
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If there is one quality that I find is more essential to a successful and happy life than any other, it is empathy. It is at the core of family stability and love. I’ve never had a couple come to me and say, 'I want a divorce; my partner understands me.'
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I think it's never too late to learn - or it's a lesson that's good to continue learning - that you need to treat everyone on a set with respect.
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The onset of this second movement is characterized by the falling away of self and coming upon "that" which remains when it is gone. But this going-out is an upheaval, a complete turnabout of such proportions it cannot possibly be missed, under-emphasized, or sufficiently stressed as a major landmark in the contemplative life.
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To love another person is to see the face of God.
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In my opinion, the unjust man whose tongue is full of glozing rhetoric, merits the heaviest punishment; vaunting that he can with his tongue gloze over injustice, he dares to act wickedly, yet he is not over-wise.
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That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
