Miranda Cosgrove (Miranda Taylor Cosgrove) Quotes
Quotes to Explore
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We learn martial arts as helping weakness. You never fight for people to get hurt. You're always helping people.
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I've wanted to be an actor for such a long time that I haven't had anything else in my thoughts. I think my family would have quite liked me to be a lawyer.
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The main thing for me is to make sure our home is peaceful, that it's healthy, that the kids are good.
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It seems that fighting is a game where everybody is the loser.
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Come hell or high water, adopted or my own. I am going to have, I must have some kids.
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The more laws and order are made prominent, the more thieves and robbers there will be.
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I really think that it's disgusting that Paris is the only place where it is illegal for paps to follow you around. It actually took someone losing their life - Diana, an inspirational woman - and then it changed, but they still won't change it in London! It's horrible!
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My father was never around, and my mother used to worry that the kids won't grow up to be connected to him.
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Refugees are the human dimensions of a failed state.
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While we look to the dramatist to give romance to realism, we ask of the actor to give realism to romance.
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It's very simple. You have to be faithful to your other half and not have secrets. That's my rule.
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Poverty is not the simple result of bad geography, bad culture, bad history. It's the result of us: of the ways that people choose to organize their societies.
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I remember, growing up, if something big - God forbid - happened, the first jokes you heard on the subject came out of Jersey.
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But when I direct I become possessed, a possession I've never quite understood.
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If you carry joy in your heart, you can heal any moment.
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The federal government spends millions to run the Postal Service. I could lose your mail for half of that.
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A lot of the early Washed Out material was done on a couple of synthesizers that did most of the work, but that's the great thing about synths - you can recreate sounds or make an entire record with just one piece of gear.
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If you don't take an opponent serious, they surprise you.
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I found that looking at the Israeli/Palestinian conflict from an outside vantage point was actually quite distancing. The history of the conflict, the personalities, the violence, the distrust, and the seeming lack of viable solutions made meaningful involvement feel impossible. What changed that, for me, was changing the vantage point.
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I do most of the cooking in my head.
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I think it is incredibly important to be open and accessible and treat people fairly and look them in the eye and tell them what is on your mind.
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I don't have a philosophy for choosing roles. Sometimes, it's just, 'This might be interesting; that might be fun to do.' There might be interesting actors or directors in the project, even if the part is not important. And then sometimes, you need the money.
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I just like a good story. I want the story to be good, and I want the character to be different than the last one I played. That's not always possible, but that's what I want.
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My dad went to USC and it always had been very important to me and my family.
