Miranda Richardson (Miranda Jane Richardson) Quotes
The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
Quotes to Explore
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The utterly fallacious idea at the heart of the pro-war argument is that it is the duty of the anti-war argument to provide an alternative to war. The onus is on them to explain just cause.
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As a mom, I don't have much time for beauty.
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Irony is a clear consciousness of an eternal agility, of the infinitely abundant chaos.
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Disrespect toward Jesus, as we have seen all too often in our society, is very offensive to Muslims.
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I have a natural right to do whatever I want with my body... as long as it doesn't affect anybody else or any other property.
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As the future is never known with certainty, the evaluation of the prospective benefits requires the formation of expectations. An acceptable house, partner or job, then, is one that offers an expected stream of future benefit that has a value in excess of the option to continue to search for an even better alternative.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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The capability of negotiating... is something that means you not only have to understand fully what you believe and what your national interests are but in order to be a really good negotiator, you have to try to figure out what the other person on the other side of the table has in mind.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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I don't want to be liked. I want to be respected.
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For me, it's not necessarily interesting to play a strong, fearless woman. It's interesting to play a woman who is terrified and then overcomes that fear. It's about the journey. Courage is not the absence of fear, it's overcoming it.
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I'm not quite as cool as I would like to be, really.
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I've come up in the scripted world, and I have wished there were more time slots for us to tell compelling scripted stories and not fill the airwaves with a lot of fluff and tabloid entertainment.
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You can live a wonderful life, you can love God with all your heart, and you can love your husband or wife very passionately and have a balance in your life. I live by balance.
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I directed the men in our barque to approach near the savages, and hold their arms in readiness to do their duty in case they notice any movement of these people against us.
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Once you're playing someone, you shouldn't be judging them in any way. That's what being an actor is - it's having empathy for people that are different from yourself. Once you've committed to that person, your responsibility is to tell that story.
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The funkiest housing in Holland is for low-income, and I think that's very nice.
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In high school, my mom's friend was a location scout, and there was a shoot at our house. I came home from school, and the photographer said, 'You should call my friend at this agency.'
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The mystery lies in the here and now. The mystery is: What is one to do with oneself? As you get older you begin to realize the trick time is playing, and that unless you do something about it, the passage of time is nothing but the encroachment of the horrible banality of the past on the pure future. The past devours the future like a tape recorder, converting pure possibility into banality. The present is the tape head, the mouth of time. Then where is the mystery and why bother kicking through the ashes? Because there is a clue in the past.
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I had some experience writing collaboratively when I wrote for the theatre.
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Only Congress has the authority to adequately and holistically address our broken immigration system.
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Only Congress has the authority to adequately and holistically address our broken immigration system.
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The writing is the springboard for your intuitive stuff and then you see, maybe a colour of what you want to achieve. Then you bring in the technique you've learnt. But when you're on film, you're not always in control of that. That's what makes me believe in a kind of collective unconscious, a sort of experience you draw on.
