Miriam Makeba (Mama Africa) Quotes
In New York I heard A Piece of Ground, written by a white South African, Jeremy Taylor. I modified it a little and sang it myself. That song is very special to me because it deals with the land question in southern Africa. We were dispossessed of our land.
Quotes to Explore
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Careers don't interest me. The only thing that interests me is continuing to be a poet on one level or another, whether acting or writing or directing.
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Acting is merely the art of keeping a large group of people from coughing.
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I'd love to do a movie like 'Bullitt.'
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Recently I've been collecting Star Wars figures again. When I was a kid I couldn't afford them. Now I can so I've been buying them and keeping them in their box for a later date when they'll be worth a lot of money.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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When you research prolific songwriters, it is usually later in their career they write songs that they distance themselves from, or it's about other people.
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I want to see more sports in schools.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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I love being part of huge mega blockbusters, and I love being a part of small independent films and small stage.
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My parents managed a summer camp, and it was vacant for about seven or eight months out of the year. It was in the middle of nowhere in the woods. We backed up to a state forest. So absolutely, there were creepy woods all around the house. It was easy to get lost. It was really spooky.
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I shudder at the concept of a world tamed.
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Great guys exist. They may not be in the package you think you like, and they may not come when you feel you deserve them the most, but they're there. I believe it. You should too. Because now I'm with someone who makes me grow every day. His name is Netflix.
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I love working with Chanel, and long may it reign, to be honest. I hope it lasts forever.
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'Restaurant Man' is kind of the story, an unabridged story of what happened in my life, the good bad and ugly. Some people might glean some life lessons. It is honest, not written as a press release.
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Klutziness is endearing. I like imperfection.
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We are a categorically obsessed culture, where we have to compartmentalize everything in reference to another thing, like, 'What does it sound like? Does it sound like this?'
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Nothing trumps honesty, as far as I'm concerned.
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I think hip-hop is no more misogynistic than America is as a society. I just think hip-hop is a lot more brash, a lot more bold, a lot more loquacious. There are a lot more words that go into a hip-hop song than go into a regular song.
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Glamour to the outside world is taking some sense of care in your appearance and should give you inner confidence. You can do a full on look or you can do a 'less is more' look but you want to have those components, those little things that are special to you.
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On 'Phoenix,' I talk about thoughts of suicide and my whole life. It's called 'Phoenix' because it's talking about dying - but when a phoenix dies, it's reborn from its own ashes. I related to that.
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In New York I heard A Piece of Ground, written by a white South African, Jeremy Taylor. I modified it a little and sang it myself. That song is very special to me because it deals with the land question in southern Africa. We were dispossessed of our land.
